MANGAKA DISCOVERY MANGAKA DISCOVERY
A Friend
Notes from the HENSHUSHA
"A Friend" tells the story of a lonely high school girl who meets a Grim Reaper after losing her mother. Her isolation and inner conflicts are beautifully depicted through fragmented moments.
The artwork skillfully shows how she appears detached on the outside while secretly longing for a friend, desperate to talk to her classmates yet unable to take that first step. Despite the short length, her circumstances are incredibly well conveyed.
However, the piece is simply too brief to truly appreciate the story, leaving me curious about the true identity of the Grim Reaper figure and wanting to read what comes next.
Women's Comics Team
A Heart of Lead
Notes from the HENSHUSHA
Your artwork is exceptionally skillful—it felt professional-level. Being able to draw such a wide array of handsome men and beautiful women is a major strength as an artist.
Despite the appealing artwork, the story feels rushed; the panels are small, and there is so much dialogue and so many speech balloons that the appeal of the art is not being fully utilized, which feels like a waste.
I think it would be good to simplify the story and center it on the relationship between Anne and Edward. You should make the most of your artwork—such as the great expressions of the characters—and consciously build the work so that readers will come to love the characters.
Young Magazine Team
A raccoon is always on the side of justice.
Notes from the HENSHUSHA
Leo and Felix live alone together in a seaside town, without relying on adults. From beginning to end, this was a wonderfully refreshing work that portrayed the boys’ friendship with care and, at times, realism. The backgrounds each of Leo and Felix carries and their differing personalities were well expressed despite the limited page count.
What was especially outstanding was the artwork. Not only was every panel meticulously drawn down to the smallest detail, but there were also many striking and beautiful compositions that made use of the characters’ expressions and the scenery of the town and sea that stayed with me even after I finished reading.
The development in the latter half in which Leo becomes entangled in mafia business was good for its sense of tension, but I felt as though it was resolved surprisingly quickly. Since I believe this is also the story’s climax, portraying the darkness of this part more realistically could make it an even more compelling work.
Morning Magazine Team
A Song for a Broken Blade
Notes from the HENSHUSHA
The initial meeting between the emotionally scarred blacksmith and the bard was very striking. The way they connect through an impromptu musical session, blending the rhythmic striking of the forge with her music, immediately drew me into the story.
Bringing back the memorable line, “You missed a beat,” at the climax when Calliope returns was also an extremely effective choice.
In addition, every panel was rendered with great care, and the characters’ emotions came through beautifully in their expressions.
To elevate the piece even further, it would be helpful to clarify exactly why Calliope was able to heal Harbalk’s trauma, and why she was the only one who could do so. Showing a bit more of Calliope’s background to portray them as a mutually supportive couple would make the emotional payoff even stronger for readers.
Sirius Magazine Team
adamas
Notes from the HENSHUSHA
At the outset, Paz gives off the air of an “unreliable narrator,” and the lingering question of which side he is on becomes the driving force that keeps readers turning the pages.
Then, once it is revealed that the seemingly kind woman is, as expected, a malicious intruder, the story carries readers along with a torrent of developments toward catharsis. That sense of momentum is superb.
If I were to offer one piece of advice, depicting the circumstances that led to Velos’s death and making that a step toward his revival would further heighten the sense of exhilaration.
Also, because the artwork is organic and features many lines, keeping the panel layout simple would create stronger contrast and make the work easier to read. Using rectangular panels as much as possible, avoiding overlapping panels and figures breaking out of them, and maintaining a more restrained approach would improve readability.
Morning Magazine Team
Agnimata
Notes from the HENSHUSHA
Your artwork is excellent, and I was drawn in right from the color title page. The protagonist’s ability to see things that are invisible to most people is highly manga-like, and the way you depict the growth of a boy who had been bullied also makes for solid entertainment, which was very good! The battle scenes were also superb, with their use of walls reminiscent of Katsuhiro Otomo!
However, given how skillfully you can draw, I felt it might have been good to feature more of the creatures from the opening later in the story as well. I think you have a real talent for creature design. Since the fight with the possessed Guntur was somewhat visually understated, I found myself reading with the feeling of, “What happened to the monsters from the beginning?”
The protagonist's power to see things invisible to others did not feel fully utilized in combat either, so it might be good to focus on drawing scenes with high-impact visuals or emphasizing how this ability is truly unique. I believe you have the potential to become a professional, and I am rooting for you!
Young Magazine Team
ALAKAOSY
Notes from the HENSHUSHA
This is a heartwarming story about a boy despised by everyone and a strong-willed, beautiful girl. The characters are distinctive and incredibly appealing; by the time I finished reading, I had grown genuinely fond of both the protagonist and the heroine.
While the plot itself is simple, the creative effort put into making every page engaging as a manga is evident throughout, resulting in a substantial read that never gets dull. Your exceptional storytelling sensibility really shines through here. If you pair this instinct with continued practice to refine your drawing skills, you undoubtedly have the potential to succeed as a professional.
On a side note, I was left a little confused by two specific points. Why exactly is the protagonist hated by everyone, and what is the true nature of the relationship between him and the heroine? As a reader, I really wanted to uncover those answers.
Weekly Shonen Magazine Team
Aphotic
Notes from the HENSHUSHA
The conversation on the train in the first half had a great rhythm and was incredibly entertaining. The sudden appearance of the monster right after that point was completely unexpected, instantly pulling the reader into the story.
On the other hand, providing just a bit more description about the worldbuilding and lore, such as what kind of place this world is and what the monsters actually are, would convey the charm of this work even better.
It would also be beneficial to dedicate a few more pages to carefully mapping out the protagonist's relationship with his father. Deepening our understanding of that bond would ground the sentimental atmosphere of the final scene. It would make the protagonist's emotions hit that much harder, resulting in an even more memorable conclusion.
Women's Comics Team
Ars Lunga
Notes from the HENSHUSHA
The artwork, thematic depth, and composition were all brought together at a very high level. In particular, the manuscript is of exceptional quality as a manga. I thought your skill at conveying emotion through facial expressions was absolutely superb.
In terms of theme, this work approaches its subject through the lens of creation, specifically the act of drawing, and I felt that the two main characters' feelings toward their own creative work were a particular highlight.
Your character differentiation is also excellent. The designs match each character's inner nature with their outward appearance so well that a single glance tells you exactly what kind of person they are, which was wonderful. Character design is one of the most important elements in manga, so I hope you will continue to build on that strength.
Young Magazine Team
AURIOUS
Notes from the HENSHUSHA
The scene where Ali defeats the giant snake was incredibly cool! The way you have clearly decided what it is that you really want to show the readers and that you structure the story to focus on his battle scene is excellent!
That said, I think it would have been even better if you could have added tension to the battle scene either by putting Kid in a bit more danger or giving Ali some history with the giant snake.
It was also good that you drew the sound effects in a design-oriented way and used them effectively to heighten the manga. However, the proportions of both Ali and Kid tend to vary. I think it would have been better if the things that they find at the end, the building, rocks, wasteland, etc., had enough realism to make the reader really feel the suspense. I would be happy if you could keep in mind the importance of drawing carefully!
Morning Magazine Team
Bang! Bang! Crackle!! Kyaboom
Notes from the HENSHUSHA
Nini, the protagonist, hides the fact that she is a bounty target as she travels with her companion. She is a very appealing character, combining cuteness, comedy, and strength! The way she and her companion Marshell grow closer, as well as the travel scenes and meals, are all depicted in detail. This shows an effort to entertain the reader!
It is gripping to see Nini reveal her true abilities as the battle intensifies in the latter half. The bond between the two at the end is moving as well.
At the beginning, the world is explained all at once, but I think it would be even better if this information could be conveyed more naturally within the story, such as through the characters’ dialogue. I think you have a real talent for portraying compelling characters, so next time, I would be delighted if you also considered how to express the world of your work in a way that is both engaging and easy to understand.
Morning Magazine Team
BANSHO ZENSHI 万象禅師
Notes from the HENSHUSHA
I thought this was a wonderful work that possesses many of the qualities needed to depict exciting and engaging battles—Fighting spirit, intensity, and a sense of speed.
I could feel the strong will in the protagonist’s eyes in the left panel on page 3. Then the two-page spread depicting the enemy’s arrival really captures that moment when the story shifts from everyday life into battle.
While I did notice several areas to work on, such as the large number of technical terms (the fewer there are, the more reader-friendly it is) and the somewhat insufficient character development, there are plenty of strengths for you to build on!
Young Magazine Team
Beyond Faith
Notes from the HENSHUSHA
Your world-building is highly skillful, gradually yet firmly drawing the reader in for a substantial, engaging read.
Theo, the protagonist, seeks to challenge a taboo enforced by the Church, the world’s sole authority. His anguish and confusion are portrayed effectively, allowing the reader to uncover the world’s secrets right alongside him. The gradual reveal of clues about the outside world, paired with the constant threat of execution if captured, creates excellent tension and high-quality suspense.
However, it was a bit of a shame that the resolution following the climax felt forced. The piece would have been even stronger if the ending left a more lasting impression. That said, this remains a highly polished and impressive one-shot overall.
Sirius Magazine Team
Big Bird
Notes from the HENSHUSHA
Big Bird is a sci-fi battle action work by Toto Taro. Set in a dystopian near-future world, it follows characters wielding mechanical weapons as they take down attacking creatures. Its world had the dusty feel of Mad Max, with cool machines reminiscent of AKIRA and Dragon Ball.
The action in the large panels was striking and the way the characters seemed to come to life as they swung their weapons left a strong impression. The compositions and panel layouts were also carefully constructed so that the key elements of the battles would catch the eye. The creature designs, based on living animals, were also good.
The pace of the storytelling and the scattering of important details throughout, such as why the world became this way, the secrets of the birds and dogs, and the strange group watching the protagonists from afar were also impressive.
Morning Magazine Team
Bloodless Heretic
Notes from the HENSHUSHA
The monster’s entrance was depicted in a unique way and left a strong impression. The structure of revealing the protagonist’s true identity at the very end also worked effectively to keep readers engaged.
On the other hand, while the mysterious atmosphere surrounding the main characters is one of the work’s greatest strengths, it was somewhat difficult to understand what the two of them were actually working toward. Especially in the first half before the monster appears, it would be beneficial to reveal a little more information bit by bit.
Maintaining a sense of mystery and conveying the core motivations behind a character's actions are separate matters. There is no need to reveal everything, but if a little more information connected to their goals and backgrounds, such as why they burned the village, had been visible, readers could have continued reading with greater emotional investment.
That said, the compelling worldbuilding and direction have a distinctive appeal, and this piece successfully left me wanting to know what happens next. I look forward to your future work!
Women's Comics Team
Blue Ink
Notes from the HENSHUSHA
The battle scenes were depicted in great detail and carried a lot of impact. Using blue or purple for specific sections is a very interesting choice, especially nowadays when so much manga is consumed digitally.
I noticed there was no dialogue throughout the entire piece. While this approach has the positive effect of fully immersing the reader in the artwork, the downside is that it makes the storyline a bit difficult to follow. Because speech bubbles are a vital tool in manga storytelling, it would be great to experiment with using them to your advantage in future works.
Monthly Shonen Magazine Team
Broken Marrow
Notes from the HENSHUSHA
The individuality of the artist could be felt through the mysterious character designs and the combination of action, magic, and horror elements. Individuality is one of the most important things for manga artists, so I thought this was absolutely wonderful.
That being said, I would have liked if the protagonist stood out a little bit more. One of the important things that protagonists do is bridge the gap between the story and the readers. Readers understand the story through the protagonist’s thoughts and actions.
Especially because this is a one-shot, minimizing the amount of scenes in which the protagonist does not appear will create a work that is easier to read!
Young Magazine Team
Broken Promises
Notes from the HENSHUSHA
This is a thrilling piece with cool, flashy action scenes that really get the heart pumping, and the artistic talent making those sequences possible is wonderful. The creative panel layouts skillfully utilize the page to leave a strong impression, and the directing in the double-page spreads truly shines, perfectly capturing the protagonist's sense of invincibility and power.
On the other hand, there are a few spots where the explanation of character relationships and the overall setting feel a bit lacking. Making these elements easier to follow would be much more reader-friendly. In particular, thoroughly establishing the protagonist's background and motivations right at the beginning would elevate the work even further.
Women's Comics Team
Bubbles
Notes from the HENSHUSHA
The combination of a cute art style and black comedy is not uncommon, but this story has a distinctive synergy that only you could achieve. At first, it seems like an homage to Frankenstein’s monster, but the twist of the zombie rotting while still being alive is clever.
Your skill at constructing comedy stood out, such as in using a horror-style drawing approach only for the resurrection experiment sequence.
Since you devote an entire page to the art on p. 4, it might have been even funnier if the composition had made it immediately clear that there was a row of graves. In the current composition, it takes a beat too long to notice.
Also, because the character designs lean away from realism, being able to draw characters other than those with round faces could become a strength in terms of visual appeal.
Morning Magazine Team
comatose
Notes from the HENSHUSHA
This work tells a poignant, deeply emotional story about loss and trauma. The darkness of the subject matter is strongly reflected visually in the pages themselves, and the bold, effective use of black in the composition was striking. The ending leaves a bittersweet aftertaste, but I appreciated how the work skillfully avoids becoming entirely heavy and bleak by also suggesting a glimmer of hope.
One point that I thought didn't quite hit the mark, however, was that the story is driven by, in effect, only one character, with much of it unfolding through internal monologue. I think the story might gain even greater depth if there were a little more interaction and involvement between the characters.
That said, the earnest way you engage with the subject and work to carefully draw out its emotions is a definite strength, and I truly look forward to your future works.
Afternoon Magazine Team
塵の街
Notes from the HENSHUSHA
This is a multigenerational epic grounded in the sun worship of ancient Mesopotamia. The artwork is highly accomplished, and the setting, architecture, and costumes have all been carefully developed. It is fun to imagine that this king may have gathered more companions, survived for thousands of years, and became the origin of the vampires found in European folklore.
Though it has a sprawling structure involving generational change and a large cast of characters, it is contained within 54 pages and remains easy to follow because it is skillfully structured around King Harbishif’s monologue.
However, because it unfolds through monologue, the fear and confusion felt by those around him, and the grand terror of the king's progression from god to monster, cannot be fully experienced in a short work. (This is like if The Lord of the Rings were told through a monologue from Sauron.) I would like to read a longer version of this story, using this short work as a showcase and then depicting everything from perspectives outside the king’s. However, for it to work as a full-length story, it will need something extra.
Morning Magazine Team
血と鋼
Notes from the HENSHUSHA
The dynamic speed lines in the fight scenes and the moments of impact in the blows are your greatest strengths. You have a solid grasp of the fundamentals of drawing the human body, as seen in how the characters’ centers of gravity remain stable even amid intense movement. The contrast between the protagonist's weary eyes at the start, worn down by work, and the possessed I-want-to-fight look in his eyes at the end is also striking.
The boss’s abrupt attitude shift from “We’re like family” to “You don’t fit the atmosphere the organization is looking for” has an effective sense of irony. But giving more specificity to his job and the company’s business would create an even more compelling contrast with the extraordinary elements, such as underground fighting and body modification, in the latter half.
The flashback on page 31 in which he punches his boss is an important moment that triggers his fascination with violence, but explaining his psychological state a little further would make the madness shown visually at the end more convincing.
Also, if you were to depict his inner conflict and psychological decline between his arrest, release on bail, and his entry into underground fighting, it would heighten the catharsis of the subsequent fight scenes. However, that would make the work as a whole longer, so it will require careful balance.
Morning Magazine Team
Dead Sea Gateway
Notes from the HENSHUSHA
The visual expressiveness in this artwork is incredibly high. I thought the character expressions, the background illustrations, and the depiction of light were all particularly outstanding. The story blends slice of life elements with fantasy elements, and it is wonderful how the creator draws both while creating a distinct contrast between them.
As for the story, I really wanted to keep reading a bit further past the ending.
Young Magazine Team
Deadweight Cop
Notes from the HENSHUSHA
I thought the character designs were excellent. Monsters need to be frightening or unsettling in some way, and yours achieved that brilliantly from the very first page. The opening panel alone was a shock!
The structure was also strong, and the unexpected developments genuinely surprised me. Across a single one-shot, you were able to portray the relationship between the two main characters along with how they change and grow, which made for a very cohesive, well-rounded piece.
If you can add more inventive ideas and visual flair to the staging of the battle scenes, I think this would become an even more wonderful work.
Young Magazine Team
Dear Gus
Notes from the HENSHUSHA
A story about the relationship between a woman and a cloud of smoke. Although there are many scenes whose meaning is hard to grasp—such as the scene where an eyeball suddenly falls out and rolls away, the old woman who stops moving, and the excessively long lines of dialogue—it had a quality that somehow compelled me to keep reading.
I felt that anxiety and dissatisfaction are central to this work, and that you are very skilled at putting those feelings into images. While the story itself is difficult to understand, it seems to touch on issues faced by people today, and I think many readers may take away something from it.
The final scene, in which the woman buries her face in Gus as he goes somewhere far away, was memorable and interesting. I can see that it contains various metaphors, but I think it would become a more accessible work if you could express them in a slightly clearer form while also giving the story a more consistent narrative.
Morning Magazine Team
Death-Crossed Us
Notes from the HENSHUSHA
I was captivated by the grand scale of the worldbuilding. Elements like the heads flying one after another and the agent-like organization members made for a highly intriguing introduction. The action scenes were striking, and the bold layout angles really enhanced their visual appeal.
Furthermore, the character designs were distinctive yet realistic enough to feel grounded in the real world. On the other hand, managing the sheer volume of characters could use some adjustment. It is currently a bit difficult to recognize and keep track of everyone while following the plot, which risks making the story feel overly complicated.
However, the unique setting, fascinating worldbuilding, and sharp dialogue clearly show your great potential as a creator.
Sirius Magazine Team
Death's guarantor
Notes from the HENSHUSHA
A story about a man who sends the souls of the dead to heaven. There are many stories about grim reapers, but this had a distinctly different atmosphere that made it interesting. The way the main character, a dead workaholic, tries to work without realizing that he is actually dead was a good, satirical reflection of the mindset of modern people.
It was also poignant and wonderful to see the two characters who initially clashed come to understand one another through their interactions. Although this could have become an introspective and gloomy story, I think the action scenes kept it engaging.
The artwork is still somewhat rough around the edges, but it has a style that seems like it could do well in Japan and it gave me high expectations. I think it would be even better if there were another scene in which the protagonist has an impact on the dead man.
Morning Magazine Team
Destined to Burn
Notes from the HENSHUSHA
The artistic skill on display here is extraordinary! I was overwhelmed by its beauty from the very opening pages. The “God’s children” premise suits the art style perfectly, and the depictions of water and fire, as well as the distinctiveness of the characters’ expressions, were wonderful. Personally, I was especially struck by the brutality of the “YOU ARE NEXT!” scene on page 40, and by the expressions and embrace in the “You such a fool” scene on pages 58 and 59!
On the other hand, I found the work quite difficult to read, simply because there is too much text and too many speech bubbles. If I were just a regular reader, I think I would have dropped it by page three. Because the text volume is so overwhelming, the critical lines get buried. I felt you should intentionally reduce the speech bubbles and create much better contrast with the text sizes. A quarter of the current dialogue would be plenty. Your artistic skill is already at a high professional level, so I think it would be best to focus above all on cutting back on information. The world built around "God's children" is incredibly distinctive, and I believe you are a wonderfully talented creator, so I am rooting for you from the bottom of my heart.
Young Magazine Team
Dragons Bleed Black
Notes from the HENSHUSHA
“The final days of the crusades were marked by an endless rain” is a wonderful line to begin with. By using the term “crusades,” you create a link to the real world and give the manga a sense of realism. It is truly excellent! The ability to wield such distinctive language, such as the climactic line, “This rotten, hollow, beautiful bed of corpses?” is an extremely powerful tool.
All of the characters, Penance, a child of dragons burdened with many worries, Noah, who gently accepts him, and the knight pursuing Penance are all highly compelling characters with wonderfully drawn expressions.
One point: I think it would be great if you could make it easier for readers to understand! You don't need to make every situation and every event completely explicit, but I think it would be even better if you aimed for a little more clarity without shifting the POV at the beginning.
Morning Magazine Team
Dream Diver
Notes from the HENSHUSHA
Dream Diver is a fantasy work by Light Comic Studio. Sang, a high school boy with the special ability to have lucid dreams, does not fit in at school and has no interest in reality... but there is a reason for that.
The sheer unexpectedness of the shot of a girl riding a Teddy Bear at the beginning grabbed me immediately. Pi and Linh are great characters. Pi has a strong design as well, and being able to draw a character like this is a real asset.
I have read stories before that use the trope of entering someone else’s dreams to fight, but the reveal that the protagonist himself had been invaded by a Nightmare was outstanding. The setup of the first half is carefully paid off with a reversal intended to surprise the reader. At the end, we learn that the protagonist is the chosen one and discover what his mission is. It follows the classic shonen manga formula well and it was exciting!
Morning Magazine Team
Dungeon no 3 nin to inu
Notes from the HENSHUSHA
The pages are bright and exceptionally easy to read! The movement is smooth, and the linework is very clean. The three characters’ expressions, gazes, and small gestures are handled extremely skillfully. I think you have wonderful artistic ability!
There are also many comical scenes that have been crafted so as to not let readers lose interest, for example the panel where someone points a gun and says, "If you get in Mamiya’s way, I’ll kill you."
There are also panels in which the three characters are placed in an exquisite balance and drawn with very interesting compositions. You have clearly put a great deal of thought into your drawings, and I think that is a major strength of yours! Because you have the artistic ability, it would have been even better if there had been more contrast and variation.
I think it would have been even better if you had made the scenes even more powerful by doing something like adding more detail to the monsters they fight. The development involving smell is also good. I would be happy if you continue creating manga that excites readers.
Morning Magazine Team
Ever After You
Notes from the HENSHUSHA
This piece beautifully depicts the struggles and inner conflicts of a heroine aspiring to become a novelist. Your delicate emotional execution and skillful directing truly shine, masterfully conveying the shifts in the heroine's state of mind through subtle pauses, shifts in gaze, and the clever use of space.
On the other hand, because the emotions portrayed leaned so heavily toward despair and sadness, the impact of her ultimate salvation and growth at the very end felt somewhat diluted.
Precisely because your descriptive power is so exceptional, I can only imagine the sheer explosive impact your technique would have if it were channeled toward hope. I am very much looking forward to a dramatic narrative in your next work that fully captures that kind of light.
Weekly Shonen Magazine Team
EVERCHANTED
Notes from the HENSHUSHA
This is a classic fantasy battle story about a small protagonist chasing big dreams, and Rook, who becomes the protagonist’s companion, is an exceptionally well-crafted character. His intelligent, composed demeanor, grounded in both passion and experience, has a strong appeal that easily draws readers in.
The supporting cast is also highly developed, adding great depth to the world. On the other hand, the portrayal of the protagonist still needs some adjustments. The protagonist comes across as so selfish that the poor treatment they receive at the Guild registration office feels completely justified. This makes the reason someone as exceptional as Rook would recognize their worth feel unconvincing.
To make the dynamic work, I want to see the protagonist show their own unique human appeal and strengths, highlighting the exact qualities that make them worthy of being chosen by such a compelling companion.
Weekly Shonen Magazine Team
エミリーの嘘
Notes from the HENSHUSHA
The rapid developments at the end were somewhat difficult to follow, but it was a very unsettling story from the very beginning. The direction of “I will die soon” on page 10 and “Congratulations” on page 32 especially gave me a jolt! You are particularly skilled at drawing frightening expressions and unsettling atmosphere. Your drawing ability is also strong, and because you clearly have a strong desire to surprise your readers, I feel you have the talent to aim for a professional career.
Right now, your main weakness is a lack of clarity. If you can learn to structure your storyboards to keep the reader from getting lost, you will be able to go much further. On a very personal note, I found your unique way of drawing clothing wrinkles to be absolutely wonderful. I am rooting for you.
Young Magazine Team
Filial Residue
Notes from the HENSHUSHA
The contrast between the sisters struggling to get by and the coldness of their surroundings gave the work a unique personality, using a soft art style to depict human ugliness and hopelessness.
Due to the short page count, aspects of the world-building lacked explanation, leaving me wanting to follow the sisters' future further. Next time, I hope the author increases the page count to create larger ups and downs in the overall story and entertain readers even more.
Young Magazine Team
Find My Head
Notes from the HENSHUSHA
Opening with what was likely an acrimonious resignation, this introduction unfolds around a buddy dynamic with a “headless ghost” that same night as the resignation. The inability to predict where the story will go makes this very exciting to read. After lulling readers into a false sense of security on page 9, you immediately draw them in with the large panel looking down on the sleeping protagonist. The pacing is also skillful in how it subsequently draws laughs from the mismatch between the meticulous ghost and the protagonist.
The transition from the scene where he reaches for antidepressants to the ghost possessing him (?) is too abrupt, and I think many readers will be left behind. Even if it isn't the truth, it would be good to have some explanation of how the two come to share senses and become partners.
Also, where does the protagonist live, what kind of society did he grow up in, and what are his goals, what makes him happy? What was the job he quit? The more a work engages with the extraordinary, the more its everyday sections need grounded specificity. A person who seems like they could be anywhere is actually nowhere.
Morning Magazine Team
Florebis
Notes from the HENSHUSHA
This is a fantasy piece that follows a sorrowful knight who wanders aimlessly after the war ends, having lost his sense of purpose. It was an incredibly ambitious format, driving the story forward entirely through narration with almost no character dialogue.
Despite that, the sheer gravity of your high-caliber artwork combined with your excellent choice of words kept me fully engaged from start to finish. I was genuinely amazed by how eagerly I kept turning the pages to see what would happen next. I am incredibly intrigued to see what this encounter with the young girl will bring to the knight.
Even though you don’t reveal much about the characters or the world, your expressive power is superb, creating a deep sense of immersion and high drama. This is a powerful piece of work that left me wanting to see a full-length series from Shinbross.
Weekly Shonen Magazine Team
FLY
Notes from the HENSHUSHA
A poignant story about a boy who makes killing his livelihood in order to survive. It's only 30 pages long, but those pages are packed with tension, the protagonist's feelings, and surprising developments, making it a very engaging read.
What particularly stood out to me was the way you draw parallels between insects and Gecko and the boys. I think it is an excellent device for visually conveying the weight and role of their lives to the readers.
Because I was drawn in by the work’s realism, I found myself wanting to know just a little more about the background of their lives—where this story is set, what kind of meals the protagonist and his family eat, where they live, and what kind of life they lead. Those kinds of details would allow readers to immerse themselves even more deeply in the world of the story.
However, you still did a good job of carefully expressing the protagonist’s feelings and circumstances while omitting some of those specific details.
Morning Magazine Team
Gentle Dark
Notes from the HENSHUSHA
The artwork throughout this piece is remarkably consistent and well drawn. Utilizing a library as the base for the hunters is a highly intriguing choice that effectively anchors the audience in your world. Your commitment to reader entertainment is also thoroughly evident, with clever narrative devices like the hunter with a color vision deficiency serving as fantastic creative touches.
That said, certain mechanics and rules within the narrative occasionally come across as slightly unclear. Given how fascinating this universe is, structuring the exposition more cleanly and organizing the lore would allow readers to engage with the plot much more seamlessly.
Nonetheless, your high level of artistic skill and dedication to your craft clearly shine through. Your original settings carry a wonderful appeal, and I highly anticipate seeing your work become even more refined in future projects.
Women's Comics Team
Ghost Idol
Notes from the HENSHUSHA
This work is about an idol who sings for ghosts. This work clearly shows an awareness of the importance of visual readability, which is an extremely important attitude for anyone aspiring to become a manga artist.
The backgrounds and props are rendered in great detail, and the artwork itself possesses considerable stability and strength. In particular, panels like the ones that feature the older brother prominently have a striking impact, and I think this artist has an exceptional talent for drawing handsome men.
Because the story is contained in just 20 pages, there is inevitably not enough room to fully establish the supernatural elements of the world or delve deeply into the two siblings, but I still felt that there is a high level of overall technical polish in the visuals. I look forward to future works as well.
Afternoon Magazine Team
Ghostcast
Notes from the HENSHUSHA
Ghostcast is the story of a protagonist with the ability to speak with spirits who uses a Podcast to listen to their troubles.
The artwork is very meticulous, and I could tell that you draw the characters with a great deal of affection. I got the impression that you put a lot of care into giving a sense of fear to readers through using the horror elements of spirits. The second panel on page 11 left a particularly strong impression on me in that regard. I thought the woman’s expression, filled with love and hate, was drawn extremely well!
Lila, the director(?) of the podcast, is such a distinct character that I wanted to know more about why she works on this show and how she is able to defeat spirits. Since this is a horror work, I am looking forward to seeing what other terrifying spirits will appear in the future.
Morning Magazine Team
GOOSI AND THE LIST
Notes from the HENSHUSHA
This is a very strong opening that makes readers want to learn more about Goosi within the first few pages. You also do a great job depicting the changes in the protagonist’s various facial expressions.
The story follows a flawed and mean-spirited protagonist who tries to atone for his mistakes after an accident. Overall, it is easy to follow the story, and the panel layout and amount of dialogue are well organized, making it easy to read.
On the other hand, precisely because Goosi is portrayed as such a compelling character, I felt it was a missed opportunity that the first half explains the situation solely through his monologue. I think readers would be drawn into the work even more if you could show his relationship with his ex-girlfriend, or his reaction when he won the Surpri, as events unfolding in real time through dialogue and the characters’ reactions.
I’m looking forward to seeing where this story goes from here!
Morning Magazine Team
Guncraft
Notes from the HENSHUSHA
I thoroughly enjoyed this new-age Western. Starting off strong with an action scene was a great way to immediately hook the reader.
The buddy dynamic between the energetic protagonist and his falsely accused partner feels solid and well-balanced, and the eerie gun design hidden inside the protagonist's coffin had a real visual impact.
However, the good-versus-evil storyline felt a bit predictable. Adding some kind of fresh twist to the conflict would make the overall narrative even better.
Monthly Shonen Magazine Team
極楽世界
Notes from the HENSHUSHA
The world built in this work—where global warming has progressed to the extreme and heatstroke has become an incurable disease—is both ambitious and highly original. I think the greatest hurdle when depicting an SF world in manga is how to help readers understand the setting and get them interested in it. By grounding its setting in reality, this work makes the world easy to envision, and I thought you handled the balance between fiction and reality very well. The storyline of siblings who have lost their parents joining forces to seek snow in a scorching world is also clear, easy to follow, and appealing.
However, I felt it was a shame that the reason the protagonist seeks snow is somewhat unclear. I assume the protagonist begins seeking snow because of the last words his dying mother left behind, but I wasn't sure if this story is a tale of revenge or, perhaps, a journey to find a reason to live…?
Since the protagonist's actions ultimately become the central axis of stories, I think readers would find it much easier to become deeply immersed in the story if you could portray the connection between his mother’s death and his subsequent actions a little more clearly!
Morning Magazine Team
h.exe: The Hacking Witch
Notes from the HENSHUSHA
This is a high-energy fantasy battle story about a boy and girl uncovering the secrets of a magical world, and the artistic skill is truly at a professional level. The appealing designs incorporate a broad range of elements, and the meticulous detail work throughout could easily hold its own in a commercial magazine.
The staging and emotional expressions are also tremendous. Your delicate depiction of the characters’ feelings and the light comedy scenes are excellent, while the standout moments feature breathtaking page layouts that completely shatter reader expectations.
On the other hand, pacing the information reveal in the scenario still needs work. A vast amount of worldbuilding lore and important details are packed in all at once at the very beginning, making it a stressful read that diminishes the reader's immersion and emotional investment in the protagonists.
Simply shifting from presenting the information you want readers to know toward a structure that feeds into the reader’s natural curiosity would make this manga engaging enough to compete with major hit works.
Weekly Shonen Magazine Team
Harpastum
Notes from the HENSHUSHA
This is a gripping sports narrative centered on Harpastum, an intense ball game from history that combines elements of rugby and gladiatorial combat. As a sports piece about a subject I had never encountered before, it drew me in from the very beginning. The bold, dynamic panel layouts, the richly expressive portrayals of character emotions, and the drama of the protagonist’s convictions all come together to create a work with exhilarating, edge-of-your-seat intensity.
I believe your ability to portray such straightforward, passionate emotions will be a major strength moving forward.
Since Harpastum is an unfamiliar sport to most, a little more explanation of its rules might have made the match easier to follow. However, even taking that into account, this was an excellent piece with great potential.
Weekly Shonen Magazine Team
heartbeats
Notes from the HENSHUSHA
“Heartbeats” was a refreshing, highly polished work about a girl with a chronic illness who meets a boy in a band and successfully performs a live show while chasing her dream of playing the guitar.
Above all, its distinctive artwork, reminiscent of City Hunter and Kimagure Orange Road, recreates the atmosphere of 1970s and 1980s seinen manga. The artwork is exceptionally detailed, but because of that, it feels like every single panel is drawn with equal intensity, right down to the wrinkles on a background character's clothes. That visual density of every panel made it feel too uniform.
Manga relies on a mix of large dramatic panels as well as smaller panels that are less important, so I think varying the density of information within a page through backgrounds, tones, and line weight would make it easier to read and intuitive to follow.
Women's Comics Team
Heavenly task!
Notes from the HENSHUSHA
Heavenly task! is a fantasy human drama by Koniicha. Using the universal experience of death as its central theme, it portrays human strength and kindness through those who accept death and those who do not.
Though the story unfolds calmly, without flashy action or spectacle, its simplicity succeeds in bringing its important themes to the forefront. Clint, an angel with a slightly shadowed side, and Sayen, an innocent girl who has just died, make a very likable pair and work well as partners.
The spread in which the man who had remained in the world of the living, not knowing the reason for his death, learns the meaning of his life and flies off into the sky was of particularly high quality. The skillful use of cute, super-deformed artwork to create a balance and rhythm of comedy was also impressive. I look forward to seeing your future work.
Morning Magazine Team
Helbound
Notes from the HENSHUSHA
The sequences of multiple doorways and the eerie, stick-like figures standing around along with the lines that both frighten and entertain the readers make this very enjoyable to read! I could also relate to and root for the protagonist as he worked so hard for his sister Embla, which was great!
However, because Embla does not actually make an appearance at the beginning, it is initially difficult to empathize with the protagonist’s feelings for his sister, which felt like a missed opportunity. Also, if Bolverk, the mysterious man who made a deal with the protagonist, had been a little more unsettling and strange, I think I would have wanted to keep reading even more.
A title page serves as an introduction to the manga. I felt that the title page could have been a better fit to show off what really makes this work interesting, so I found that a little unfortunate. Going forward, I hope you will draw with the utmost consideration for how to present the work to readers!
Morning Magazine Team
Hero's Day Off
Notes from the HENSHUSHA
A story about a woman who always comes to the convenience store and seems like a hopeless person, but turns out to be a Super Hero. It is a simple, short story, but the panel layout and pacing make it very easy to read, and I could feel your skill as a storyteller.
There are many comedic scenes and action scenes packed into a short page count, showing your desire to entertain, which makes it very likable. The characters’ expressive facial expressions were also a strong point.
I think it would become an even more interesting work if you spent a few more pages depicting the protagonist’s and the female hero’s backstories and how their relationship develops, while also adding one more twist that surprises the reader.
Morning Magazine Team
Hiro the hero
Notes from the HENSHUSHA
A story about the Dark Lord’s son and the Hero’s son striving to become Pro Heroes together.
Haruhiro, the protagonist and the Dark Lord’s son, has a particularly appealing visual design, and his comedic expressions—such as when he cries or panics—were also adorable. I loved that he is such an honest character, overflowing with the desire to become stronger and help others. As I read, I found myself wanting to root for him.
The scene aboard the train in the latter half where he awakens and helps people was also very cool, with powerful panel progression. The ending, which hints at what is to come, also left me excited for more.
Morning Magazine Team
Hoshi
Notes from the HENSHUSHA
This is a wonderful science fiction piece about a group aiming to make contact with extraterrestrial life alongside an eccentric professor. It was packed with exciting elements like alien lifeforms, meteor showers, and a research facility with a massive telescope, which made it a joy to read.
Above all, characters are one of the most vital components of any manga, and every single character who appeared here was wonderfully quirky and appealing. Kin was also incredibly cool in the final stretch for leaving Hoshi out of the report. If I had to ask for one thing, I would have loved to see what kind of fun and chaotic events would unfold once they actually formed the "Star Team" with the alien lifeform.
All in all, this piece really showcases Cambamati's deep focus on character building, making it a highly promising work.
Weekly Shonen Magazine Team
how to chase a unicorn
Notes from the HENSHUSHA
The choice of an elderly protagonist, along with the thorough depiction of their emotional shifts over time, beautifully showcases the depth of your creative ability. Your portrayal of the passage of time is also highly unique and original. Despite being an unconventional narrative approach, your skillful panel layouts keep the pacing smooth and easy to follow.
However, in terms of the story's overall serialization structure, the final development, where the protagonist finally sets out on their long-delayed adventure at the very end, is a bit too predictable. When reaching the final page of the manuscript, the reader is left wanting a refreshing twist or development that delivers a genuine surprise.
Young Magazine Team
捕食の空
Notes from the HENSHUSHA
The protagonist, who admired heroes from a young age but was unable to become one himself, hunts down transformed heroes as the “Hero Hunter.”
Though the bold compositions and unpredictable direction are still somewhat rough, they are highly compelling, and the action scenes and character visuals are reminiscent of Jujutsu Kaisen and Chainsaw Man. The heroes’ designs also feel unique, while being striking and frightening, which draws readers into the world of the work.
It seems that a great deal of thought has gone into the protagonist’s abilities and backstory, but some parts are still a little difficult to truly understand. If those elements could be better organized, I think this could become an even stronger work.
Morning Magazine Team
Il Ponte dei Sogni
Notes from the HENSHUSHA
This is an excellent manga. To live is, in other words, to experience emotional change and growth, which is the very definition of drama, and I felt this theme was beautifully portrayed. Not only the protagonist, but every single supporting character, and even the essay written by the protagonist’s student, felt like real, living human beings. That particular passage would undoubtedly resonate with anyone who works hard to earn a living or support their family. It was truly wonderful.
While the protagonist’s final action represents his own ultimate conclusion, the gratitude shown by his rock singer friend felt like a forced attempt to cheer him up. This was the only part I found slightly disappointing, as it gave me the impression that the ending had been set in stone from the very beginning. However, that might just be a matter of personal preference. Overall, I think this manga is an incredibly high-achieving piece of work.
Sirius Magazine Team
InkBound
Notes from the HENSHUSHA
I was impressed by your exceptional drawing ability and the highly polished quality of your art. The visuals alone carry an impact that easily draws readers into the story. Zeal’s dynamic action scenes and the meticulously detailed backgrounds create a wonderfully seamless layout.
Furthermore, the wide variety of expressions given to the characters made their personalities truly engaging. These appealing character designs and graphics are standout strengths of the piece.
However, the story’s development felt a bit lacking, likely due to the page count constraint, and I honestly wanted to see more of Zeal in action. Because your action scenes are so bold and clear, it might be interesting to introduce a rival character and have them face off in battle.
That said, the high quality of the artwork is very impressive, and it definitely makes me want to read your next work.
Sirius Magazine Team
INSTINCT
Notes from the HENSHUSHA
The artwork is very good. I think that a lot of readers will enjoy this wonderful style. The smash double-page spread was incredibly exciting!
However, the storytelling still has some room for improvement. At the beginning, the focus bounces around different characters—from the player holding a retirement press conference, to the journalist attending that press conference, to the player who practices with the journalist—so I was confused as to who the protagonist was. For one-shots specifically, I recommend keeping the perspective focused on the protagonist.
Also, it takes too long to get to the sudden death of the journalist and their subsequent reincarnation as a high school student. I think there are too many elements in the work.
I think that you should identify the part of the story that you most want to depict and aim to reach it by the shortest route while delivering the greatest possible impact.
Young Magazine Team
Island Home
Notes from the HENSHUSHA
The story takes place on an island where the villagers do nothing but fish. The plot follows a boy who hates the island and fishing, leaves to pursue his dream of reaching the stars, and returns to find Granny and the villagers gone.
I felt this setup strongly engages with themes of regret, forcing the protagonist to confront what is truly important to him.
The sea beast’s design was also extremely appealing, especially details like hair made of octopus tentacles and hands shaped into human-like arms and fingers. The giant crab was equally imposing, and it made me want to read a story where you put these monster and nonhuman creature designs at the center of the narrative.
Lastly, the sequence where the boy punches Granny, only for her to be revealed as a monster impostor, was excellent and a great way to surprise the reader.
Sirius Magazine Team
Jailbreak Brain
Notes from the HENSHUSHA
This was an incredibly thrilling shonen manga. The depiction of the naive, timid protagonist at the beginning creates a fantastic contrast with the finale. Seeing a character who did nothing but run away finally vow never to run again over the bodies of his mother and childhood friend builds massive anticipation for his future growth, making me desperate to read what happens next.
The scene where the monster emerges from the boy is packed with impact and leaves a lasting impression. The grotesque, terrifying visual designs of the creatures are exceptionally well-thought-out. Your artistic caliber and directing skills are wonderful, proving you can thoroughly entertain readers through visuals alone.
However, the worldbuilding feels a bit overly complicated. Streamlining the setting or explaining it more thoroughly would allow readers to enjoy the work even more.
Women's Comics Team
人上の塔
Notes from the HENSHUSHA
This is an exceptionally high-caliber work that beautifully locks a thrilling survival game together with deep human drama. The story accurately captures the dark desires of ordinary people.
The little demon’s malicious expressions and dialogue gave me genuine chills, and the naming of the "Tower Above Humanity" left a powerful impression. The narrative is littered with intriguing mysteries, such as what happens if someone is pushed off the tower and what lies at the very top, which successfully pulls the reader in and keeps them eagerly turning pages. The detailed depiction of the protagonist's lifestyle changing as they steadily accumulate wealth gives the premise immense credibility. Your artwork is also top-tier, masterfully bringing a strange world of towers and mazes to life.
The ending, where the protagonist learns that greed has no limits, was fantastic, and I am very much looking forward to your future work.
Women's Comics Team
Kingslayer: Kami no tane - Chapter one: Tangata Manu Festival
Notes from the HENSHUSHA
The grand scale of the worldbuilding is incredibly captivating, and with meticulous lore scattered throughout, the reader is naturally drawn into the story.
On the other hand, precisely because the setting is so deeply crafted, the sheer amount of information feels a bit overwhelming at times, making certain scenes a little difficult to grasp.
There are also a few scene transitions that feel somewhat abrupt, which occasionally makes it a bit jarring to follow the flow of the narrative. Since the world itself is so fascinating, organizing how you introduce the lore and smoothing out the scene transitions would make it much easier for readers to seamlessly immerse themselves in your work.
Women's Comics Team
九頭蛇幻夢
Notes from the HENSHUSHA
The anatomical depictions of creature features, such as wings and antennae, alongside the striking layout on page 15, vividly convey the high level of your artistic expression. The exceptional character designs, particularly the distinct rendering of the eyes and hair, are also worthy of special mention.
Your story hooks the reader immediately from an opening scene already in progress before shifting focus to the past as its central theme. However, the latter half introduces a rapid succession of plot twists that feel a bit overwhelming, requiring a little too much prior knowledge from the audience.
While prioritizing the protagonist’s emotional arc is an excellent choice for a serialization outline, the narrative structure would be much more effective if you streamlined and organized these complex lore elements.
Young Magazine Team
Last Breath
Notes from the HENSHUSHA
This was an innovative work told entirely from the characters' camera perspective. The repulsiveness of the creatures and the tension of being attacked were great, giving the reader a strong sense of immersion. Ankur's bravery and earnest spirit would make them a great protagonist, proving that you have a real talent for character development.
However, because this is such a high-level directing style, the panels were occasionally hard to read, making it difficult to tell what was happening for a split second. Ideally, you want the reading experience to be as seamless as possible for the audience. You clearly have great artistic instincts, so I hope you try your hand at a more straightforward storytelling method next time, rather than the first person camera perspective.
Young Magazine Team
LAYAK (Deservedness)
Notes from the HENSHUSHA
I was deeply drawn into this story and found it profoundly moving. The protagonist has to say goodbye to her Mother without being able to forgive her, and continues to suffer because of the inability to forgive. Amid those around her who, without malice, subject her to careless remarks, her husband—the one person who understands her—was a source of salvation.
People who struggle to change are compelling. The protagonist's emotional transformation felt convincing, and the direction of the final scene was superb.
This one-shot is exceptionally well crafted, but because you are capable of drawing so well, I would love to see you tackle themes that go one step further.
Young Magazine Team
Let Him Cook!
Notes from the HENSHUSHA
The banter between Gideon, a slightly unreliable protagonist, and Santoku, a legendary sword with the unusual trait of wanting to become a kitchen knife, was very entertaining. The comical dialogue moves along at a good pace and makes for a story that keeps readers engaged.
The way you are able to naturally and appealingly portray the personalities and background of various characters, such as Sara, the heroine, and the enemy monsters, within such a short page count is wonderful. I found myself wanting to read on to see what kinds of adventures these three will take on and what they will cook.
If I may ask for more, I think including scenes in which they actually cook, in addition to the battle scenes, would convey the appeal and distinctive qualities of this work even more strongly to readers. I look forward to seeing where the story goes from here.
Morning Magazine Team
Life Album
Notes from the HENSHUSHA
A story about a photographer who brings the dead back to life by taking photographs of them. The structure of the story is easy to follow, and it came across that it was drawn with readability in mind.
The development of the story in which the photographer gradually begins to feel affection for the dog and decides to sacrifice himself to bring its original owner back to life was very good. The dog’s expressions were rich and endearing, which made me want to see more interactions between the dog and the photographer.
Though short in page count, this was a work that showed potential in both the progression of the story and the overall setting.
Morning Magazine Team
Mac Sullivan Is The Heart Of Vegas
Notes from the HENSHUSHA
I was immediately drawn into the tense developments of the gambling match. The details in the dialogue were also excellent, and I felt they really helped bring the world to life. Your passion for portraying cool, hard-boiled characters came through beautifully.
Young Magazine Team
Master Mask
Notes from the HENSHUSHA
The concept of fighting using Masks was unique and interesting! The battle scenes using mud and paper felt like a classic battle fantasy, and I got the impression that a great deal of thought had also gone into the detailed setting, such as the town and the clans. I also thought the protagonist’s goal of becoming a Master Mask was clear and effective.
On the other hand, I simply felt that the worldbuilding was insufficiently explained. Things such as why people came to have to wear Masks and what becoming a Master Mask entails are not made explicit, so I was not able to immerse myself very deeply in this world. Also, many scenes have small panels, making it difficult to grasp the important moments, so I think you could make more use of full-page scenes and two-page spreads, like in the final two pages.
Communicating the world you have envisioned and the scenes you want to show readers is more difficult than one might imagine. If you keep in mind selecting and organizing the necessary information, and creating easy-to-follow storyboards with more variation and emphasis in the panel layout, I think you will come even closer to becoming a professional. I think you are an artist with a one-of-a-kind worldbuilding sensibility, so I truly hope you become a manga artist!
Young Magazine Team
memory of alice
Notes from the HENSHUSHA
The design of the vampire hunter is really cool and the full-page illustration of the sci-fi world on page 20 was also striking.
What concerned me was that there was too much information introduced late in the story. For example, the fact that vampires exist in this world, that this is a story about vampire hunters, that Achi has a mother who is obsessed with Alice, that Alice has a vampire living inside her body, etc.
When too much information is introduced late, readers tend to become fatigued and lose focus on the story. I think it would improve greatly if you chose the single most important piece of information and made the reveal during the climax, making it a surprise in a positive sense.
Young Magazine Team
Militaris Sacris
Notes from the HENSHUSHA
Militaris Sacris is set in a world locked in a constant war against aliens, focusing on the deep bond between a child meant as a sacrifice and the warrior sworn to protect them. The dark world-building and the hopeful tone of the story blend together beautifully. I also loved the stylish designs for the weapons, armor and buildings, alongside the highly detailed backgrounds.
In the latter half, I felt there were many scenes that explained events through dialogue and narration in a game-like manner: “Go to this place, perform this action, and then the enemy will...”
By creating more dynamic pacing through the dialogue, expressions, and direction, and by keeping in mind what your core message is in each scene and the creative intent behind the presentation, I think the work will resonate even more deeply with readers. On a final note, the soft expression on the child's face at the very end was absolutely lovely and captivating.
Women's Comics Team
MOVIEAFTERLIFE
Notes from the HENSHUSHA
This is a human drama centered on the idea of previous lives. While the setting is somewhat complex and can be difficult to follow, the characters’ feelings and circumstances truly resonated with me as I read.
As for the artwork, the depiction of facial expressions is wonderful. Rather than reducing emotions to simple joy, anger, sorrow, and pleasure, you convey complex feelings as vividly as real people do.
I believe your ability to portray characters, in terms of both artwork and storytelling, is at a level where you can certainly aim to become a professional. Keep up the good work—I’m rooting for you!
Young Magazine Team
ミッドナイトパイ
Notes from the HENSHUSHA
This is a battle-action piece where the protagonist transforms into something nonhuman and struggles against a hopeless fate. The artwork is clean, uses minimal lines, and is exceptionally easy to follow. The pacing is well controlled through the panel layouts and camera framing, making the character movements highly readable.
I could truly feel the strength of Ed’s ability to depict action sequences. Capturing a sequence of fluid movements and combat exchanges through still images rather than animation is a unique challenge in manga, and it is a major strength of your work.
However, because the core story elements, worldbuilding, and character backgrounds are barely touched upon, I would have liked to see a little more narrative development. Even so, this impressive work raises great expectations for your future projects.
Weekly Shonen Magazine Team
魔法少女OL
Notes from the HENSHUSHA
A heartwarming comedy about a magical girl confronting the harsh realities of society. Crystal-chan was always the only thing sparkling on each page, which really highlighted how special she is. Crystal-chan was adorable throughout—I couldn’t help but feel like my eyes were drawn to her!
The way Crystal-chan realized that working as a magical girl, something she had dreamed of since childhood, was actually full of unexpectedly harsh realities and made her think, "This isn't how it was supposed to be..." is a feeling that is easy for anyone to relate to. I also liked the contrast of such a sparkly protagonist struggling with such an ordinary, unexceptional concern.
It is often said that stories are about the protagonist meeting someone, so I felt it was a missed opportunity that Crystal-chan resolves her troubles on her own without really meeting anyone. I believe characters are spurred to change and grow through encounters with others. I wanted to read about what kind of encounter would lead Crystal-chan to overcome her inner conflict and grow.
You are very skilled at drawing cute girl characters, so I look forward to seeing that strength again in your next work!
Morning Magazine Team
N.N.
Notes from the HENSHUSHA
I thought it was wonderful how clearly your desire to portray so many elements came through, including the diverse companion characters, the unique enemy called the Living Leather, the protagonist’s awakening, and the cool magic battles.
The artwork was drawn with great care all the way through, and the action sequences were a major highlight.
However, the introduction felt overloaded with information and heavy exposition. Introducing four side characters right at the start alongside explanations of why the protagonist became a wizard takes up too many pages. To prevent first-time readers from getting lost in a one-shot, it would be better to narrow down the cast. Focusing the structure strictly on the protagonist’s abilities, his core motivations, and a satisfying, impactful victory would make him look much cooler.
Sirius Magazine Team
Nameless Heroes
Notes from the HENSHUSHA
The emotional portrayal of the soldiers risking their lives on the battlefield was detailed and wonderful. You excel at expressing character emotions through facial expressions and subtle gestures.
In the final stretch after they head out to the battlefield, seeing the expressions on their faces as they each braced themselves for death was truly heartbreaking. It was fantastic how you had a clear theme you wanted to convey, and that message was beautifully integrated into the work. I sincerely hope you will continue to put the messages you wish to convey into your manga.
The content was excellent, but when considering commercial publication, I think it would be even better if you could define what readers will find enjoyable about it.
Women's Comics Team
No Rest for the Damned
Notes from the HENSHUSHA
"No Rest for the Damned" features an entertaining and engaging world where Hell functions like an exploitative, toxic sweatshop. The premise is highly amusing, following the demon of sloth as he is ruthlessly put through his paces and driven to work by an Executor of Hell.
While the setting is great, the story itself wrapped up just as the characters were being introduced, leaving the reader wanting to see the creator deliver on expectations regarding what happens next to this duo.
That said, the expressions on the faces of both the Executor of Hell and the demons are incredibly lively, making me laugh out loud multiple times. The clever use of art techniques without relying on screentone also keeps the visuals clean, simple, and remarkably easy to read.
Women's Comics Team
Old New World
Notes from the HENSHUSHA
‘Old New World’ is a story of a father and son revolving around the “Masks of Nature,” which grant their wearer beast-like powers. The dynamic action scenes were a highlight! The design of the character wearing the leopard mask was also cool. Being able to draw appealing male characters is an extremely important skill for a manga artist, so I felt that you are an artist with a promising future.
In terms of the story as well, the intensity of Kura’s emotions as he uses the mask to unleash his powers in order to save the father he admires so much from danger came through strongly. It naturally made me want to root for him!
If I could make one critique, I think the readers would be able to immerse themselves even more deeply in the work if they knew more details about its world, such as Kura’s tribe and where they live. I would love if you could depict these aspects next time.
Morning Magazine Team
Omakase おまかせ
Notes from the HENSHUSHA
“Omakase” initially appears to be a food manga, but the sudden switch to horror catches readers off guard and makes it a compelling read. Although it is a work with no dialogue, the careful visual depiction and panel layout successfully tell a story with a strong impact. The entertaining reversal in which an obnoxious couple appears to be enjoying a luxurious omakase sushi meal, only to realize that they are actually the ones being eaten—the ones being prepared as food is also particularly amusing. The work also offers a perspective that draws attention to contemporary issues such as food becoming a fashion trend and the debated issue of animal welfare.
Morning Magazine Team
Omurice
Notes from the HENSHUSHA
The distinctive feel of the artwork is compelling and immediately draws the eye. While the story does not have any major dramatic developments, the subtle shifts in the boys’ emotions are depicted with such care that I was able to read through to the end without losing interest.
I was deeply moved by the way the protagonist, who has a violent side, ultimately came to resolve problems without having to resort to violence. The intimate relationship between the characters is portrayed with great care.
I think it would be easier to follow if there were more scenes showing the protagonist’s relationships with the other characters.
Morning Magazine Team
Onami
Notes from the HENSHUSHA
The worldbuilding was wonderful! I found the Pogau Tower at the bottom of the sea very evocative, and the protagonists’ elaborate costumes were lovely as well. In response to the mid-story question, “What does it mean to be strong?”, it was also wonderful to see Pon offer his own answer and demonstrate his growth by saying, “I found the strength to forgive. When destiny calls you, you must be strong.”
On the other hand, the story is a bit unclear about what lies beyond achieving that strength, so it might be helpful to give him a clear goal to make it easier for readers to empathize. Something straightforward, such as “defeat the giant” or “save his little sister who became a demon,” would be enough. If you can show readers what awaits beyond the protagonist’s growth, I think they will enjoy the story even more.
Young Magazine Team
Our Lady, Sing The Bells
Notes from the HENSHUSHA
The way the story opened with introducing people who have demonstrated remarkable abilities was attention-grabbing and wonderful! There is a steadiness in the artwork and the characters are visually very appealing.
However, I felt that the story as a whole lacked development. I think that keeping in mind the basic principles of storytelling—what the challenge was, how the heroine confronted it, and how she changed as a result—will help you grow further as a manga artist!
Young Magazine Team
Out Of Frame
Notes from the HENSHUSHA
I thought the realistic portrayal of everyday life was absolutely wonderful. The realistic art style made me feel as if these two people were truly out there living their lives. I also thought the scenes depicting the camera and video camera through a sequence of panels were an excellent directorial choice.
The way you draw the female character's expressions in particular is superb. In manga, a character's inner life and emotions are so often conveyed through their expressions, so being able to land on exactly the right one shows just how rich your range of expression as an artist is. I hope you will keep drawing these kinds of true-to-life emotions!
Young Magazine Team
P.R.E.Y.
Notes from the HENSHUSHA
This work shows an extraordinary showdown between a bear lurking in the forest and a hunter. It maintained a sense of tension throughout and really drew me in. By keeping the details about the setting to a minimum at the beginning and focusing just on the hunter simply pursuing the bear through the forest, the fear of the bear and tension of the situation came through in a very direct way. Showing the hunter’s state of mind through diary entries rather than relying on monologue was also an effective choice that heightened the sense of isolation of being alone in a cabin in the forest. The meticulous artwork, extending to details such as the hunter’s clothing and the cabin interior, also seems to provide a solid foundation for this rugged story.
There are two major points that I felt didn't quite hit the mark. The first is the scene of the bear fighting the tiger. There is nothing particularly new about the fight itself, and having this scene actually makes it more difficult to gauge the difference between an ordinary bear and this one. Wouldn’t the reader's fear have been heightened if the hunter had merely broken into a sweat at the bear’s extraordinary presence while its true nature remained concealed?
The second is the loss of momentum in the development after the hunter arrives in town. It was disappointing that the tension relaxed and the story became mostly exposition. Regarding the witch, her location and appearance felt cheap in comparison with the detailed depictions in the first half. The convincing depictions in the first half are truly wonderful, and I think they are full of talent. I’m rooting for you!
Morning Magazine Team
Penitent Crown
Notes from the HENSHUSHA
The artist has a very distinct art style which they seem to have close to perfected! I was immediately drawn in by the characters' expressions. Expressions are so important not only because they bring a character to life, but because they serve as crucial visual cues to the characters' emotions in each scene.
The "Penitent Crown" has an amazingly streamlined script which makes it very easy to read despite being high fantasy, but the artist's masterful portrayal of the characters' facial expressions never leaves the reader confused as to what the character is feeling at any moment. The idea behind the crown robbing humanity was very intriguing, and I thoroughly enjoyed the fast-paced battle scene.
At the same time, it was also a story I wanted to read more in depth. Right now, it feels like an enticing snippet of their world. To truly feel the plight of these characters, I felt that there could be a more gradual portrayal of how the crown gives and takes so that the reader can be even more emotionally invested in the characters.
Afternoon Magazine Team
Phantom
Notes from the HENSHUSHA
"Phantom" tells the story of a human named Kalma living in a world of monsters. After losing his guardian, Uncle Mel, he is pressured by the monsters to vacate his home. The design of the ghost sent into his room to evict him was adorable, and her personality was very appealing.
Having these two underdogs join forces, resulting in the ghost's true powers awakening to defeat a stronger foe, provides a wonderfully satisfying sense of catharsis.
However, the protagonist's actions feel a bit erratic and reckless at times. Mapping out his emotional trajectory more clearly across the narrative arc would make it much easier for readers to empathize with him.
The comedic panels also felt a bit abrupt, which occasionally makes the protagonist's personality feel inconsistent. Taking some time to flesh out his character a bit deeper would resolve this issue.
Women's Comics Team
Pink Love
Notes from the HENSHUSHA
A story in which the devil of death and love appears before a boy who has been beaten up by bullies.
I found it very satisfying to read how freely and expressively you depict the characters beyond the panel borders. The devil’s visual design and mannerisms conveyed overwhelming power and allure and I was completely drawn in.
The protagonist’s classmates and the environment surrounding him are depicted as extraordinarily harsh, and I read on eagerly, wondering what would become of his life and looking forward to what would unfold next. The final two-page spread was also striking.
Morning Magazine Team
Pitcher in the trench
Notes from the HENSHUSHA
The game of catch in the snow was especially outstanding! The madness of the battlefield scenes and the youthful spirit of the field scenes created a poignant contrast that made the work deeply compelling. The switches between vivid close-ups of the characters’ expressions and long shots of the snowy landscape were also highly effective, giving the work a beautiful, overall cinematic quality.
Harlan’s tragic descent and Kai’s brightness in refusing to lose hope were both memorable, proving that you have a real talent for portraying people. I believe your directorial skill in expressing emotions through concrete scenes will be a major strength for you.
Young Magazine Team
Princess of Hiding English Version
Notes from the HENSHUSHA
A story about an immigrant woman working as a housekeeper in Japan. This work incorporated shoujo manga-like elements in depicting the long-distance relationship between the main character and her partner in America while also portraying the position of immigrants in Japan. I found that perspective really interesting.
The main character and her partner are drawn as both endearing and cool. I felt that you are an artist who really enjoys and excels at depicting various aspects of relationships—their conversations, the story behind their meeting, and their reactions to each other (like their blushing faces).
I’m curious whether she was ultimately able to repay her debt or not!
Morning Magazine Team
Psalm
Notes from the HENSHUSHA
This piece possesses a wonderfully poetic atmosphere. You beautifully expressed that fleeting, adolescent sense of apathy and restlessness, capturing the exact time when someone is no longer a child but not yet an adult. The gorgeous artwork offers the same deep satisfaction as looking through a high-quality illustration collection.
A young person's anxiety to find their purpose and become "somebody" will come across as nostalgic to adult readers while resonating deeply with younger audiences. Your artistic caliber is exceptionally high. Your distinct character designs and atmospheric backgrounds are wonderful, and it is clear that you put an immense amount of care into your page layouts and camera angles.
However, while the story successfully captivates through its visuals, the narrative felt slightly short on words, leaving a few moments where the protagonist's feelings were hard to fully grasp. I highly encourage you to focus on making the narrative a bit more clear and easy to follow in your next work.
Women's Comics Team
Rat vs God
Notes from the HENSHUSHA
The cinematic panel composition is very cool, and the unique gimmicks and designs are highly appealing. However, while the worldbuilding was effectively presented, the crucial question of what makes the protagonist appealing was neglected.
At the beginning, the protagonist was highly engaging as he tried to calmly drink coffee despite being surrounded by an armed group. I wanted you to keep the focus, through to the end, on what makes him unique and what specific emotions he can evoke in your readers.
Monthly Shonen Magazine Team
Red Stop Girl!
Notes from the HENSHUSHA
This was an interesting work that made a bold attempt to use red as the single color within a monochrome aesthetic. The clever inclusion of red items like traffic lights and ketchup left a strong impression.
I also liked the protagonist's actions at the end, where she ultimately uses the very color she feared to repel the stalker. On the other hand, the story relied almost entirely on the protagonist's inner monologue, and the lack of dialogue with other characters felt like a missed opportunity. Because of this, the story ended before I could fully grasp her character.
Additionally, using ketchup to mimic blood is a somewhat classic trope, so the work will improve even more if you can deliver a stronger twist in the second half. Your drawing skills are exceptional, and I sincerely hope you continue to hone your craft.
Young Magazine Team
Relic Hunters
Notes from the HENSHUSHA
This is a straightforward adventure story, and I was excited the entire time I was reading it. The action is eye-catching and dynamic, showing that you have great drawing skills. The banter between the two characters is well-paced and fun, creating a charm that made me want to join their group.
On the other hand, Kai’s moment to shine ends right at the beginning, and Az becomes the focus for almost all of the remaining story. Since this is a buddy story, I would like you to pay close attention to how the two characters divide their roles. I think it would be even better if you could depict scenes where they actively make up for each other’s weaknesses and bring out each other’s strengths.
Young Magazine Team
Reve
Notes from the HENSHUSHA
This is a vampire story about a patient suffering from an incurable illness and the young vampire girl he meets. Creating a memorable, original story about vampires is no easy task, but this work succeeds in leaving a strong impression on readers thanks to the highly polished character designs and the contemporary sensibility.
The visuals of the character Reve in particular are extremely effective, and I felt that this design fully displayed the artist's skill at depicting an alluring woman with a bewitching smile.
Overall, this is a work overflowing with elegance and style. However, the ending feels somewhat rushed and the backgrounds could benefit from a little more detail. But I am convinced that the artist's skills will grow remarkably if these aspects are refined. This artist is a promising talent whose future work I greatly look forward to.
Afternoon Magazine Team
ROAR
Notes from the HENSHUSHA
The clean panel flow and consistently strong artwork were appealing. Although the protagonist cannot speak, he has overwhelmingly strong survival skills, which made me want to know more about him—his background, how he came to wander into the village, and just who he really is.
Your artistic abilities were really shown off in the many action scenes and scenes that made full use of the pages. Through these, I could really feel your desire to entertain readers.
Overall, the protagonist and the rest of the cast were drawn with high energy and a sense of fun. The linework was clean and the work conveyed your motivation and enthusiasm to make the visuals more vibrant by drawing a variety of characters.
Morning Magazine Team
Run For Life
Notes from the HENSHUSHA
"Run For Life" features a brilliant concept that anthropomorphizes fertilization, and I thoroughly enjoyed reading it as a surreal gag manga. The narrative structure works beautifully. The initially grand, sci-fi scale of the world and the chaotic mystery of men falling one after another build great tension.
Because the reader is left entirely in the dark about what is happening, the final page reveal makes everything suddenly click, delivering an excellent punchline.
Women's Comics Team
Saint & Rocky
Notes from the HENSHUSHA
The high-energy action scene at the beginning is breathtaking! The dynamic shots and the characters’ movement and expressions that follow also create powerful visuals, fully conveying how cool Saint and Rocky are as the protagonists and drawing me right into the world of this story.
Despite being assassins, this strong, stylish male-female duo is sure to captivate many readers. That is why I would have liked to know a little more about Saint and Rocky—their pasts, why they do this work, what kind of lives they lead, and so on. That would make readers even more eager to see this pair in danger and in action.
As a one-shot, it is a solid action manga that brings a single “hit job” to a satisfying conclusion while also leaving readers eager to read more about these two.
Morning Magazine Team
Salary Blues
Notes from the HENSHUSHA
The way the characters' emotions were portrayed felt very realistic. Narcis’s feelings for Yumi, and the bittersweet ending that unfolds were heartbreaking.
Those realistic emotions are precisely why the final scene felt as refreshing as reading a coming-of-age novel! Yumi, who is wild and unconventional yet somehow seems constrained, was an appealing character.
I sense a talent for depicting the subtleties of human nature. I’m rooting for you!
Young Magazine Team
SAPPHIRE DOG
Notes from the HENSHUSHA
I was really excited by the catchy premise of characters turning into Chinese Zodiac warriors to fight. The theme is incredibly clear, making it easy to dive straight into the story from the very first page. On top of that, Perro Chico is so adorable that I kept reading just to see what would happen to them.
Having the rival character, Rubi, be a warrior of a different Zodiac animal added a great sense of excitement around the potential expansion of the group. The storyboarding has a wonderful rhythm, and the addition of comical, relatable schoolboy banter makes it highly readable. The action scenes are also packed with impact, and giving the characters signature finishing moves really makes them stand out.
However, it was a bit difficult to understand why they have to fight and what kind of overarching plot will unfold from here. Clarifying these points would build even greater anticipation for the second chapter and beyond.
Women's Comics Team
Scilo's Lie
Notes from the HENSHUSHA
This work featured highly appealing character designs. The contrast between the “Paradise” Scilo saw after jumping into Mother and the harsh reality of the outside world was a fascinating concept.
Furthermore, the way Scilo’s lie upon returning to the outside world in a different form ties back to the title was brilliantly structured.
However, the exact situation and the chronology of events were difficult to follow. Because this narrative is set in a unique world with its own distinct creatures and rules, it is vital to find clear ways to introduce these elements so that readers are not left behind.
Monthly Shonen Magazine Team
Shining chair
Notes from the HENSHUSHA
The first half makes you think that this will be a horror story, combining contemporary internet ghost stories with a test of courage. However, it develops into an ensemble drama of grief care in which the people drawn together open up about themselves and come to understand one another more deeply. The structure is skillful in using the horror aspects as a lure to draw readers in, guiding them through to the end, and leaving them with a refreshing aftertaste.
One critique, however, is that it is difficult to understand what happens in the climax. The young man who guides them could be understood to be the dead person they wanted to meet, but that would be strange because the story begins from his point of view. Yet he does not appear after the second panel on page 15, which leaves readers wondering where he disappeared off to. An open ending is fine, but it should be designed and intentional.
Morning Magazine Team
shiraishi-san can't stop crying
Notes from the HENSHUSHA
The lively, high-energy daily life of the girl is charming, and this was a pleasant work that clearly conveyed how much you enjoyed drawing it.
Your use of the sophisticated technique of conveying information through expressions and gestures, along with your awareness of drawing readers in, is very effective.
However, there were inevitably some parts where the lack of explanation made it difficult to fully understand what had happened. The ending also felt a bit abrupt, and I was left wondering what happened to this compelling protagonist afterward.
The work was easy to read, and the careful, appealing artwork was one of its strengths. I look forward to seeing your next work.
Young Magazine Team
Side Quests to World Domination!
Notes from the HENSHUSHA
Side Quests to World Domination! is a fantasy battle work set in a world reminiscent of medieval Europe. It vividly portrays a group of paladins launching a nighttime raid on the chambers of Fravelon, the tyrannical ruler of the sovereign nation of Tyjus. With magic and swordplay colliding, a massive Dragon appearing, and forbidden spells being cast, the work is packed with the appeal of fantasy.
Fravelon is a strong character whose tyrannical nature, as well as her brilliance as a sorceress, comes through in every line of her dialogue. The exchange of spells near the end, and the use of visual effect lines when the most powerful spell is cast were particularly striking. It was also impressive how the equipment, including the helmets and jewels, was rendered in detail and tied into the character designs.
Morning Magazine Team
Signal
Notes from the HENSHUSHA
This was a very grand and engaging story. At the beginning, the protagonist sketches scenes from the lives of various people. The concepts of the universe and the train station of the subconscious were highly original and drew me in.
In particular, the direction was very effective as scenes transcending time shifted from one to another, showcasing ukiyo-e style images, battling samurai, and various aspects of Japanese culture. I felt that the true appeal of this work lies in how it moves seamlessly between a massive, grand scale story and the personal dream of a single individual.
Because the idea that dreams motivate us to keep trying every day is depicted on such a large scale, the contrast would be even more powerful if you portrayed the protagonist’s personal setbacks more concretely. Showing his specific struggles on the path to pursuing art would draw readers in even deeper.
Sirius Magazine Team
Skate this!
Notes from the HENSHUSHA
The rich variety of visual expression unique to a silent manga is superb. Precisely because there is no dialogue, we can focus entirely on the protagonist’s every movement, allowing his emotions to be beautifully conveyed through his actions. It is also very satisfying to see how the grandmother, who serves as a great hook in the first half, is brought back into the development toward the end.
If I were to ask for a little more, I would have liked to see his internal transformation unfold through emotion alone. It would be wonderful to understand the exact process by which this self-centered protagonist, previously unable to see those around him, changes into someone capable of considering others, rather than simply showing that he was captivated by the grandmother’s skating.
Young Magazine Team
Skyrunners
Notes from the HENSHUSHA
This is a bright, energetic manga that is fun to read! Haruna is very cute and it really comes through that you enjoy drawing her. The battle between her and Genkai had great pacing and was very enjoyable to read.
However, I think it would be good to put a little more effort into conveying the overall situation to the reader! For example, the current objective, the challenge that the protagonist needs to overcome, what the protagonist is thinking as she takes on these challenges, and what exactly the Skyrunner Contest is in the first place could all be more grounded in specifics.
Keep in mind that readers will often read somewhat casually, and if you draw with the goal of conveying as much specific information as possible, it will become an even more engaging manga!
The expressions of the characters are drawn vividly and there is attention to detail as well—That is wonderful! I think it would be good to further refine the action scenes in order to give readers a sense of realism!
Morning Magazine Team
Sound Seller
Notes from the HENSHUSHA
The backgrounds, meticulously rendered down to details like plants and animals, are a joy to look at on every page. The protagonist’s expressive face is also incredibly appealing.
The concept of magic that uses manga sound effects is excellent. However, because actual creatures are used to represent the sounds, it felt that the idea was not fully utilized in a way that would truly surprise readers. If there were scenes made possible precisely because it is sound, or moments that only sound could create, the story would leave a much stronger impression upon finishing it.
Young Magazine Team
Squid Girl
Notes from the HENSHUSHA
The combination of a cute art style and a fantastical premise where a girl transforms into a "squid girl" gives way to a dark story that defies expectations and left me stunned.
Josefine was born to beautiful bird parents and expected to become a bird herself, but the octopus form she ends up taking brings out the absolute worst in the people around her. The adults are so incredibly selfish that poor Josefine is simply heartbreaking and painful to watch.
You show a high level of skill in crafting plot developments, and I sense great potential here. Moreover, because the visuals are so adorable, the contrast made me read with bated breath as she spirals downward. I kept hoping, “Surely the next adult to reach out will save her!” Instead, a string of terrible betrayals awaits.
I was highly impressed by the skillful structure that drives the story forward with the momentum of a roller coaster.
Sirius Magazine Team
Stolen Smile
Notes from the HENSHUSHA
A story set in a post-apocalyptic world, in which the protagonist plans revenge for the lost smile of his beloved.
In the opening pages we see his quiet, peaceful everyday life with his partner through a flashback. The tone quickly becomes serious and the main story depicts the man and woman desperately trying to survive—venturing into town to gather food and hunting. The contrast between the opening flashback and the main story was striking.
In the latter half, a man who, like the protagonist, has lost someone dear to him appears. His presence allows the protagonist to gradually reveal his true feelings, with that process depicted thoroughly. This was truly a strong point of the work.
Morning Magazine Team
Submariner
Notes from the HENSHUSHA
First of all, I was blown away by the sheer amount of detailed artwork. It is absolutely magnificent. An underwater city and the concept of communicating with dolphins are unique elements rarely seen in manga, which made the story feel incredibly fresh and exciting to read.
The action sequences were also packed with impact and highly engaging. The staging in the larger panels, in particular, had a real sense of power that pulled me right into the story's world.
On the other hand, I felt it was a bit of a missed opportunity that Ray overcomes his claustrophobia relatively easily. Because the overall scale of your work is so massive and the narrative is so grand, the process of him conquering this difficulty could have served as a major highlight. For instance, carefully tracing his internal conflict and growth while tying it to his past would have made the moment he overcomes his fear far more moving and believable.
That said, even at this stage, your exceptional artistic talent and solid narrative structuring skills clearly shine through. You strike me as a creator who will only produce more fascinating stories the more you draw, and I look forward to your future projects!
Women's Comics Team
superskater
Notes from the HENSHUSHA
When I read the opening scene, I thought this was going to be a manga about a superhero on a skateboard. However, the protagonist actually had no special powers. Instead, he was simply an ordinary person who loved skateboarding, which is a wonderful concept.
I thought your ideas and action scenes were high-level. Ultimately, the ending was the only disappointing part. It felt like a conclusion that says, “Well, he’s only human, so of course that’s what happens.” This left me sad because I had been so thrilled by the protagonist’s courage and skills.
People who have courage, love a hobby, and work hard are rare, and they are fully worthy of being heroes. Since you portrayed such a compelling character, depicting his exploits would not feel forced. Readers would not lose interest or think it is unrealistic for an ordinary person to reach such heights. Subverting expectations is important, but it is equally vital to meet the reader’s expectations.
Sirius Magazine Team
スーパークリーン
Notes from the HENSHUSHA
Your art shows a lot of skill! It seems like you are really used to drawing manga, and all of the references to Japanese manga made this an enjoyable read.
Senpai is a compelling character, and the way Waruwara changes after meeting him is so well done that it feels as though it could serve as the first chapter of a serialization.
However, I also felt that not all of the elements of the story fit together. It is a cleaning × fantasy battle story, and the philosophy of cleaning that Senpai discussed in the car at the beginning was so compelling. Because I was so intrigued by that, it felt somewhat anticlimactic that the climax consisted entirely of a martial-arts battle unrelated to that philosophy.
Young Magazine Team
スケボーなんて子供の遊び
Notes from the HENSHUSHA
“Skateboarding Is Just Child’s Play” is a piece with a remarkably strong structure, successfully delivering a complete four-part narrative arc within its brief 24 pages. The plot begins with the exact moment a girl meets a boy, zeroes in on their personal concerns, and culminates in the protagonist's actions completely transforming the girl's world. This leaves the reader with a refreshing feeling, and the clever meaning embedded in the title brings a smile to your face.
The panel layouts are easy to follow, and the unique sense of catching air and the sheer height during skateboarding jumps is beautifully conveyed through striking compositions of the panel layouts.
However, given that skateboarding itself is central to the story, the jumps felt great, but the actual sense of speed fell a bit short. In future projects, I encourage you to look beyond simple speed lines. Mindfully depicting the rushing wind and portraying the physical sensation of momentum will make the cool factor of skateboarding stand out even more.
Women's Comics Team
Tamerlane Paranormal Investigations
Notes from the HENSHUSHA
Tamerlane Paranormal Investigations is a suspense fantasy by Lilymouto. The manga’s quality is extremely high, and the artwork is consistently strong. The story also captures the essential elements of a workplace story × fantasy genre mix.
The protagonist is a librarian who hates happy endings. Behind this façade, she is an employee of Tamerlane Paranormal Investigations, which catalogues and eliminates paranormal phenomena known as espers. Her shadowy yet matter-of-fact dedication to her work is compelling.
One day, a brother who has seen his sister, who died ten years prior, visits the agency. The brother continues to feel guilty over his sister’s death. Sensing the presence of an esper targeting him, the protagonist pursues the truth alongside her partner, a black raven.
The designs for the monstrous characters were good, but I was particularly impressed by the professional approach of trying to surprise readers with double-page spreads while not neglecting the artwork in smaller panels, such as with the details of the gargoyles and cityscapes. I think this contributes to the reader experience. Personally, I found the thick line weight in the side-profile drawings of the main characters very stylish and liked it.
Morning Magazine Team
Teacher-Sensei
Notes from the HENSHUSHA
The manuscript is wonderfully structured as a coming-of-age drama blending academics and romance, seamlessly incorporating specialized technical knowledge. I was also deeply drawn to the pure-hearted nature of the characters. While each character makes the precise narrative moves needed to keep the plot engaging, their actions feel entirely organic to the story, highlighting your keen powers of observation.
While certain standout panels feature compelling camera angles and strong compositions, there is still room to refine your fundamental drawing skills. In particular, the overall quality of the manga would reach a professional level if the facial proportions were more consistently depicted across every page of the chapter.
Young Magazine Team
Tengu
Notes from the HENSHUSHA
The reader is dropped right in the middle of a day in the protagonist's private detective(?) life. Not much is known about him and what he does, but his calm, professional manner and compelling facial expressions draw you into this strange occult world where humans and non-humans seemingly co-exist.
His case for the day is to find a missing girl, which, after questioning several individuals, he succeeds in locating. But then he has to drive out the skeletal entity that has taken control of her body. Here it is revealed that the protagonist is a tengu...! The visuals are stunning. He transforms and frees the girl.
"Tengu" had a fascinating world that left me wanting to know more about it and the people who live in it. I think if fleshed out with clearer themes and a focus on the drama between humans and non-humans, the ideas in this story can totally work as a series.
Afternoon Magazine Team
Thank You (ありがとう)
Notes from the HENSHUSHA
It can be quite difficult to convey the intent of each scene clearly to readers in works that don't use dialogue for exposition. However, I was able to read this work through the end without ever feeling confused. That alone is quite an amazing accomplishment.
The artwork is also very compelling. It was especially breathtaking once the story moved underwater. The two-page spreads were of course wonderful, but the depiction of the pearl shining in the palm of a hand on page 18 is something that is really not easy to draw.
My critique would have to do with the dramatic elements. I think that drama usually comes from showing the changes in the protagonist's emotions, but I couldn't understand why the protagonist in this work made the choices that she did. It was a little difficult to empathize with her because the changes that led to that point were not clearly shown. I was also left worried about what will happen to the cat.
Young Magazine Team
The Back
Notes from the HENSHUSHA
You made excellent use of the strengths of full-color manga, expressing an original world through a vivid use of color. Every panel was rendered with great care and stood on its own as a single image, making the work highly engaging.
In the dangerous, crime-ridden neon district, you portrayed the contrasting figures of burdened adults and frustrated children in a very compelling way. I also thought the composition was excellent on pages 5 and 6. The two-page spread showing a man holding a blade effectively used imagery to make the reader wonder what he would do and how the story would end.
Precisely because that setup was so strong, it would have been even better if the ending had one more touch after the protagonist wakes from the dream. For instance, it felt missing not to depict what eventually became of the man who killed her father.
Sirius Magazine Team
The Cure that Swallowed Kamamori
Notes from the HENSHUSHA
"The Cure that Swallowed Kamamori" is a folk horror manga where the protagonist is drawn by fate to visit his childhood village. The artistic quality is exceptionally high and does a fantastic job of pulling the reader into its world.
That said, I would have loved to see a bit more focus on the tragedy and sorrow of the protagonist, who is cursed to unconsciously offer sacrifices to a mysterious master. The storyline also felt slightly conventional.
To make the narrative structure more engaging, the piece would benefit from creative storytelling gimmicks, such as breaking the mystery down into multiple layers or completely subverting the initial conclusions reached.
Women's Comics Team
The Darkest
Notes from the HENSHUSHA
The character designs are simple yet cute and memorable. Even the grotesque scenes are rendered in a pop style, so they did not feel uncomfortable to read at all. Your rich imagination runs through the entire work, giving it the playful charm and nostalgia of reading a picture book.
However, as the story unfolds, unfamiliar terms appear one after another, making the plot somewhat difficult to follow. I would like you to make it a bit clearer what the protagonist is trying to achieve and how. It would also be helpful to keep the knowledge gap between the author and the reader in mind, and practice different ways to present information.
Young Magazine Team
The Dignity of Labor
Notes from the HENSHUSHA
“The Dignity of Labor” depicts a tiny maid who goes to the home of a human fairy-tale writer (is that right?) and does the cleaning, laundry, and cooking.
The fact that the work contains no dialogue makes it very unique. Without dialogue, the artwork stood out all the more, fully conveying the warm atmosphere of the work. The maid protagonist is adorable, and she made me feel that I would love to have a maid like her in my home. I feel that the charming artwork is a very good match for the atmosphere of the world. Reading it was incredibly soothing.
That all being said, dialogue is typically a very important element in manga, so if you create other works in the future I think it might be good to try making one with dialogue.
Morning Magazine Team
The Empurror
Notes from the HENSHUSHA
Max’s expression as he declares that he will become “the Empurror” of the world is cool! The way you draw the cats makes them extremely appealing characters. You also do a wonderful job of expressing the grace and softness unique to cats.
The action scenes along with the special abilities of the cats are both conveyed in ways that were clear and easy to understand. The scene where Max attacks the robbers with lightning was particularly memorable. You have very strong artistic skill!
The story’s progression—from the robbery scene, to the Super Hero cats’ exploits, and then to the cats’ unexpected objective—was also very good. However, I think it could be even more enjoyable for readers if there were a bit more excitement, perhaps having a stronger character among the robbers or putting the cats into more of a pinch.
Morning Magazine Team
The Executor
Notes from the HENSHUSHA
The dialogue and plot progression are comical from start to finish, making it a thoroughly enjoyable read all the way through. The setups and payoffs are excellently executed, and your dedication to entertaining the reader really shines through.
That said, while many panels are intricately detailed, the character rendering and background layouts appear somewhat unpolished in certain sections, which stood out to me. The ability to complete a project under a strict deadline is a crucial asset for any manga artist. By gradually enhancing your artistic consistency without overexerting yourself, you will significantly elevate the overall quality of your work. I eagerly anticipate your next release!
Women's Comics Team
The Fiend
Notes from the HENSHUSHA
Each panel is carefully rendered, and your dedication to drawing manga really comes through. I was delighted by the sincerity of your approach as I read it. The way Dax’s expressions change on page 9 is also excellent, and I feel your artistic ability is absolutely impeccable. On the other hand, I believe there is room to reconsider how the story is conveyed.
Angel-class espers, cognitive zones, heroes... Despite the story being set in New York, one of the world’s most famous real cities, it is unclear what kind of crisis threatens New York or this world. It is also tough to tell what role Dax and the others play in confronting it.
I felt that if you had explained a little more of that background setting as the story progressed, right before launching into the main plot, the appeal of this manga would have reached far more readers.
Sirius Magazine Team
The Girl I Like Lives on Hong Kong Island?!
Notes from the HENSHUSHA
The Girl I Like ~ provided charming insight into school life in Hong Kong! It was interesting seeing how all the other classmates except Siu-Ki already have an English name. The heavy use of public transport was also interesting.
If editing, I would suggest providing more cultural context as depending on the reader, there are some cues that one would not pick up if they aren't familiar with Hong Kong. They would definitely be interesting tidbits of information for outsiders! Another way to go about it is to have Siu-Ki having lived abroad for most of her life. The reader experiences everything from her perspective, so hers should be as close to the reader's as possible.
To ensure that the work has as wide a readership as possible, it is always safest to assume that the reader is not well-versed in the subject of the story. Additionally, I would suggest that Alice has a bigger role straight away, so that the reader does not lose the focus of the story (which I would assume, is the budding relationship between the two of them on Hong Kong Island).
Afternoon Magazine Team
THE GODFATHER
Notes from the HENSHUSHA
THE GODFATHER captures a fascinating premise, focusing on the intense struggle to succeed the Mafia king, God Father, who has ruled from the throne for a hundred years.
The artwork is absolutely outstanding, and the powerful battle scenes carry an incredible visual weight. The Mafia members who appear one after another each possess highly distinct personalities, and they look undeniably cool. This installment feels like a compelling first glimpse into a much grander epic.
If you plan to expand this into the first chapter of a full serialization, it would be beneficial to streamline the cast. Reducing the number of characters would give you the space to delve much deeper into the protagonist's personal motivation and identity. Since you clearly have big plans for where the story goes next, I would absolutely love to read the continuation.
Women's Comics Team
The Green Fairies
Notes from the HENSHUSHA
I thought you were an artist capable of drawing beautiful, dynamic lines. Through the story of female workers made to work with Radium without being told of its dangers, all just to save a single penny, the status of women at the time and the hardships of their lives came across clearly.
I found it heartbreaking that the protagonist’s desire to succeed and to see her friends happy only made the situation worse. I was deeply moved by the scene in which the protagonist, having lost her health and her friends, gives up on everything for a time but then ultimately resolves to fight.
The contrast of the vivid green used only for the Radium amid the black-and-white artwork was also striking, and it was wonderful how the green, which initially appears beautiful, comes to seem terrifying in the latter half despite being the very same color.
I think this work would become even more compelling if you could portray the protagonist’s emotions and the antagonist’s unpleasant nature with greater realism.
Morning Magazine Team
THE LAST RIDE
Notes from the HENSHUSHA
A high-octane car action manga featuring a thrilling chase between a police officer and a biker!! Reading it was pure, unadulterated fun, flowing seamlessly just like a scene straight out of a movie.
The design of the officers and the various vehicles was fantastic, but above all, the protagonist was incredibly cool and cute!! They feel like a deeply modern and appealing character.
The fact that this was such an entertaining read even without dialogue proves how incredibly skilled you are at creating a rhythmic panel flow and guiding the reader’s eye through information.
If you are aiming for a professional debut in the future, I highly encourage you to experiment with using dialogue and monologues to dive even deeper into the characters' charms. I will be rooting for you, and I look forward to your next work combining your brilliant action choreography with deeper character development!
Weekly Shonen Magazine Team
the right people
Notes from the HENSHUSHA
This manga without dialogue follows a girl who grows up in loneliness and becomes increasingly disillusioned with people, until she eventually encounters the “Right people.”
First of all, the artwork in this piece is solid. All of the children are charming characters, and their richly varied expressions are particularly eye-catching.
The story itself is also very compact and concisely structured, making it an excellent fit for the one-shot format. Its theme has a universal accessibility as well, and the meaning of the story is clearly conveyed even without the use of words because of the protagonist’s strong emotions. The ability to fully portray emotional nuances through images alone demonstrates this artist’s undeniable skill.
On the other hand, if I were to point out an area with room for further improvement, I think the story would gain even greater persuasiveness and impact if there were scenes in which the protagonist took more action herself and influenced her circumstances—in other words, showed more agency.
That said, its ability to convey emotion and its strong sense of cohesion are major strengths, making this a work that leaves me looking forward to what comes next.
Afternoon Magazine Team
The Seed Sparks Once
Notes from the HENSHUSHA
The core theme of “friendship transcending species” left me with a deeply warm feeling. Yet, this is not just a simple story; the allegorical dialogue feels like a reflection of contemporary society, and the differing values of the two species give the narrative real depth.
I was struck by how powerfully the artwork conveys the respective positions of Nazik of the rock people and Khatu of the Sky people as they conflict over the "Stone Seed" resource. It was incredibly moving to see their hearts connect through the gift of a Seed, even though they have never met or spoken.
While the themes are strong, I was most impressed by your expressive power. Specifically, the intensity of the conflict within the panels and the expressions of the opposing characters.
Sirius Magazine Team
The Shadow
Notes from the HENSHUSHA
The Shadow is a nostalgic story about Ling, a protagonist who has feelings for someone of the same sex and regrets having drifted apart without being able to tell her how she felt. The protagonist's bittersweet emotions came through clearly despite the fact that the story has a relatively short span of just eight pages.
The second panel on page 6 particularly caught my eye. The tearful protagonist’s expression from a low angle creates a sense of intimacy in which only the reader gets a glimpse into these emotions that she hides from everyone else. I thought it was a strong composition. I also thought the tear droplets made for a nice accent.
Is the man who appears at the end someone who has feelings for the protagonist? I wondered if he, too, has a painful unrequited love that he is unable to confess. If the details around the final page were made clearer, I think readers would be able to engage with the work even more.
Morning Magazine Team
The Shadow Within You
Notes from the HENSHUSHA
Raina, who grew up in a single-mother home, makes a wrong turn and finds herself in a similar situation as her mother. An entity called "Shadow" suggests to her that abortion is the right thing to do, but running into a lost boy gives her a chance to rethink...!
The art style was beautiful and easy to follow. The story had different elements and characters but they were all centered on Raina and so, they did work well together. I will admit that the story, because of its fantastic/metaphorical bits was a little confusing at the start, but it came together in a heartwarming ending where Raina chooses the light.
If editing, I would suggest adding a sequence where Raina, although deeply troubled and not sure what to do, connects with the young boy, and runs about the city at night trying to bring him home to his parents. In doing so, she comes to a realization that leads her to the same ending as the current story.
When the main character faces a difficulty and something critical in them changes, this change is often the most exhilarating part of a manga. As such, it should be portrayed in detail and not just be a fleeting thought or some words. Raina's change happens mostly off-screen and is expressed through the conversation between the two entities which makes it even more detached from the character itself. Actions will always speak the loudest. Right now, the emotional high is with the shadow and light entities. However, if Raina is the protagonist, the reader should be the most emotionally invested in her and understand how she changes from the beginning to the end of the story.
Afternoon Magazine Team
The Strawberryfield Ball
Notes from the HENSHUSHA
This is a romantic comedy set in Strawberryfield. The detailed rendering of natural elements in the background, such as the plants and fruit, as well as the mouse mail carrier, was very cute. It was also charming and appealing to see Ina, who is popular and strong, not simply wait but actively pursue the person she is interested in. I was also surprised that Milo is actually very large (because Ina and the others are small)!
This work only depicts the very beginning of the story, and the one-shot ends just as the story is getting started. I would love if you tried to write this story through until the end!
Morning Magazine Team
The Tower
Notes from the HENSHUSHA
The secret hidden on the top floor of the tower was a fantastic, shocking twist.
Given how suspenseful the setup was, I would have loved to see Elly drive more of that excitement and tension herself. Having the Resistance rush to her rescue and defeat the Prophet Father felt a bit too convenient.
To make the story even more engaging, try focusing on how Elly can use her own ingenuity and resourcefulness as the protagonist to overcome these obstacles.
Monthly Shonen Magazine Team
The undefeated wood kid
Notes from the HENSHUSHA
This is a Western with a teenage desperado as its protagonist. The protagonist is a genuine antihero who treats the people around him terribly. However, he doesn't become an overly unpleasant character because he is portrayed with humor and is successfully elevated into a charmingly unlikable figure. The way his expressions are sometimes exaggeratedly distorted works effectively towards this end.
On the other hand, some of the backgrounds and artwork could benefit from more detail and fine tuning.
Also, the emotional change leading the protagonist to regret his actions is depicted somewhat hastily and could be more convincing if you took it one step further. That said, you clearly have a talent for bringing characters to life and a solid sense of humor, so with a little more refinement, I feel this has every potential to develop into something strong. I look forward to seeing what you do next.
Afternoon Magazine Team
ThE WORLD of Igor
Notes from the HENSHUSHA
"ThE WORLD of Igor" is the story of the relationship between the war strategist Igor and Icar, a winged child he picked up during the war.
Above all, the artwork is powerful and compelling, and I thought the way you depicted the war scenes—which require drawing large numbers of people—with such force and without cutting corners was a standout aspect of the work.
The work gives the impression of being a prologue to the story, and it feels as though the main narrative is about to begin. It holds the promise of a story on a grand scale, so it's a little bit difficult to truly evaluate as just a one-shot.
The battle between Musashi and Captain Xin is engaging, but if you want to raise the level of completion as a one-shot, I think it would be better to focus less on introducing multiple characters and more on depicting the relationship between the protagonists, Igor and Icar, in greater depth.
Morning Magazine Team
Unfed
Notes from the HENSHUSHA
This is a story of familial reconciliation between a girl named Beelzel and her Zombie father. The character artwork was very good. The lines of Beelzel were drawn with warmth and she has the roundedness and charm of a young girl, while the father also radiates kindness. The atmosphere of the artwork fits well with the story about a parent and child rebuilding their bond.
However, there was not enough explanation of where the protagonists are, what their purpose is, or what they are doing, so it felt difficult to grasp that basic information. I would like you to keep the readers in mind and try drawing with a focus on clarity so that the charm of the work can really be conveyed.
Morning Magazine Team
UNKRAUT
Notes from the HENSHUSHA
UNKRAUT is a compelling sci-fi piece that follows the lives of siblings living in a walled-off city. The story structure is exceptionally well-crafted, with subtle setups like the plants growing in the middle of the road and the broken-down robots paying off wonderfully later on.
I can really tell you're a manga artist that has the talent to build a truly original world.
The only minor drawback is that the artwork can be a bit inconsistent at times, but with continued practice, you will undoubtedly become even better at fully bringing your vision to life.
Women's Comics Team
Valentine’s, After Closing
Notes from the HENSHUSHA
The close-up scenes were so incredibly realistic that I felt like I could actually hear the character's heartbeats. You are exceptionally talented at conveying human emotions purely through the artwork. Every panel is compelling.
If you can just improve the panel layout and speech-bubble placement, the story will become even easier to follow.
Young Magazine Team
villain cafe
Notes from the HENSHUSHA
The protagonist’s expressions and the action sequences were extremely striking and well executed. You have a wonderful ability to bring your stylized compositions and character expressions to life, and the climactic action on pages 58 and 59 was a major highlight.
Using coffee as a recurring prop was also a great touch.
However, the complex setting felt a bit difficult to follow. The word “multiverse” is introduced right at the start, but jumping into multiverse concepts before establishing the foundational world causes confusion rather than intrigue, making the narrative structure suffer. Simplifying the setting in future works would allow readers to fully appreciate your excellent artwork and directing skills.
Sirius Magazine Team
Warm Blood
Notes from the HENSHUSHA
I was captivated by the two characters from the very beginning. The expressiveness of the artwork, including the action scenes, is also particularly noteworthy. In terms of story structure, the final stretch is truly exhilarating when the protagonist, who had been such a lively pop character, finally awakens. I felt this was an exceptionally high-level work, both artistically and narratively.
While the central premise this work aims to explore is presented in the opening pages, it is split into several different parts, which left me a bit unsure of what matters most. To tighten the piece, it might be better to boldly cut the elements that are not essential to this specific one-shot so that the main idea is fully utilized and consolidated into one major central premise.
Young Magazine Team
Winter sleep
Notes from the HENSHUSHA
Winter Sleep is a distinctive and appealing piece, utilizing a snowy mountain setting to showcase a warm touch and a unique sense of perspective. Your depiction of nature is especially striking. The mountain ranges, trees, snowy landscapes, and animal movements are all strikingly rendered, proving that you possess an exceptional artistic eye for the natural world.
The visual sequence where the bed transforms into a snowy mountain range is superb, and it left me excited to imagine how you might draw the sea or the arrival of spring.
One area that could be explored further to enhance your manga storytelling is the clarity of events and character emotions. The accident scene is currently a bit difficult to follow. The protagonist’s emotional state would be much easier for a broader audience to connect with if it were clarified a little more through dialogue.
Women's Comics Team
Wizardly Couture
Notes from the HENSHUSHA
Wizardly Couture was such a breath of fresh air...! I found myself smiling as I savoured each page. The painstaking attention to every detail delivered through a heartwarmingly analogue style instantly drew me into the protagonist's cozy world of magic.
I also loved that the magic was not generically battle-centric, but whimsical yet surprisingly practical! I need me a cupcake blanket too!! Despite the adorable vibes, the protagonist packs a crazy punch (quite literally)!!
Slice-of-life works are very popular in and out of Japan, but at the same time, they are one of the more difficult genres to take on, not only because the art has to be able to deliver that sense of nostalgia, but also because it is easy for the story to seemingly lose its direction when running as a commercial series. Even if a story is about the simplicities of life, there should be some underlying themes or recurring messages so that the reader can identify the "colour" of the work. Should "Wizardly Couture" continue as a series, I look forward to what the artist has to add on to this beautiful world!
Afternoon Magazine Team
Wonderland Legend
Notes from the HENSHUSHA
This fantasy piece expands on the story of Alice in Wonderland with a fresh new interpretation. Every single panel is meticulously detailed. Thanks to the clever use of composition and camera work, every page is a visual treat. In the final stretch, the way the characters suddenly shift into a highly stylized, chibi art style due to magic was a truly innovative and fun touch.
The story itself felt like it was still in the middle of developing, leaving me wanting to read more about the drama awaiting these characters and the ultimate conclusion they would reach. This piece really highlights a strong commitment to visual storytelling unique to manga, and it leaves me excited to see how GYRHS will present their artwork in the future.
Weekly Shonen Magazine Team
Yvette
Notes from the HENSHUSHA
The backgrounds and action are solidly drawn despite the cute art style, resulting in a very high-quality piece.
The protagonist is young, but her courage and magic skills make her a great character. I found myself wanting to see more of her everyday life with her mother, and it could have been helpful to dedicate a few more pages to that.
At the climax, we find out her broom is actually a brush and she uses its power to defeat the villain. However, because there was little prior explanation of her magical limits, the resolution felt a bit too convenient, as if anything could happen. If you establish the boundaries of her abilities first and then show her resolving the conflict within those constraints, it would make the story much more engaging.
Sirius Magazine Team
Weekly Shonen Magazine Team
- From the Editor-in-Chief:
- Inject your own definition of 'cool' into your work—not what you think we want, but what you believe in. Remember: manga is a tool for expressing your voice to the world. Don't create manga just for the sake of it; create it because you have something to say. Having launched more series than any other editorial team in Japan, we have the experience to help you bring your unique vision to life.
- //About
- One of Japan's most iconic shonen magazines, where passion, rivalry, and emotion shape every story. From epic fantasy to world-shaking battles, every page ignites with life. It's home for creators who want to tell powerful stories that truly resonate with people's hearts.
- //Notable Series
- Attack on Titan by Hajime Isayama
Fairy Tail by Hiro Mashima
Blue Lock by Muneyuki Kaneshiro (original story) & Yusuke Nomura (art)
Monthly Shonen Magazine Team
- From the Editor-in-Chief:
- I believe that manga is a light that shines on those who feel lonely or isolated. If you work hard, break through the walls before you, and leap into an exciting new world, life becomes richer and more vibrant. Monthly Shonen Magazine seeks stories that radiate that same powerful light.
- //About
- Where youth, passion, and the power of friendship come alive. This magazine explores the profound journey of growth, dreams and human bonds—from sports and romance to music, fantasy, and coming-of-age drama. It is a home for creators who want to breathe life into characters that truly struggle, persevere, and shine.
- //Notable Series
- BECK by Harold Sakuishi
Noragami by Adachitoka
Your Lie in April by Naoshi Arakawa
Sirius Magazine Team
- From the Editor-in-Chief:
- Our mission is to deliver new kinds of excitement, expressed in ways that feel welcoming and accessible, to a wider range of readers. We strive to create manga you can enjoy with friends, partners, and family—manga that brings people together.
- //About
- Where boundary-breaking, genre-defying manga find their home. From epic isekai adventures and biological marvels to bold reimaginings of action and fantasy, SIRIUS cultivates works that resonate across generations and genres. This is the home for creators who want to shatter the mold and explore truly inventive storytelling.
- //Notable Series
- That Time I Got Reincarnated as a Slime by Fuse (original story), Taiki Kawakami (art) & Mitz Vah (character design)
Cells at Work! by Akane Shimizu
VERSUS by ONE (original story), Kyōtarō Azuma (art) & bose (story composition)
Women's Comics Team
- From the Editor-in-Chief:
- We create stories for women across the globe. Through heart-fluttering moments, laughter, and tears—stories that truly move the soul—we aim to make the world a brighter place. Why not join us in crafting an exciting future that no one has seen before? We are looking for fresh, sharp talent with the power to empower. Bring us your authentic personality and your boldest ideas!
- //About
- Where stories of love, friendship, and personal discovery come to life. Spanning iconic magazines like Nakayoshi, Bessatsu Friend, Dessert, Kiss, and BE LOVE, this team has long been the heart of stories that inspire, comfort, and empower readers across generations. We are the home for creators who want to spark deep empathy and ignite courage in their audience.
- //Notable Series
- Cardcaptor Sakura by CLAMP
A Sign of Affection by suu Morishita
Chihayafuru by Yuki Suetsugu
Young Magazine Team
- From the Editor-in-Chief:
- Young Magazine pursues gritty, robust stories that push beyond the everyday—narratives that capture the raw struggles of the human heart and the complex contradictions of modern society. As we celebrate 45 years of publication, we are embarking on a new mission: delivering gripping stories alongside creators from every corner of the globe. Let’s blaze a new trail for the future of seinen manga—together.
- //About
- Where raw energy meets real stories. Young Magazine features a diverse spectrum of genres—from high-octane racing and gritty suspense to romance and subversive comedy. We speak to readers in their 20s and 30s who crave intense, grounded, and unapologetically realistic narratives. This is the home for creators who want to tell bold, visceral, and unforgettable tales.
- //Notable Series
- AKIRA by Katsuhiro Otomo
Initial D by Shuichi Shigeno
Ghost in the Shell by Masamune Shirow
Morning Magazine Team
- From the Editor-in-Chief:
- Morning is a magazine dedicated to adult readers, spanning genres like action, comedy, sci-fi, history, and romance—with no boundaries. Our mission is to deliver characters and stories that resonate with a mature audience, providing not just entertainment, but insight. We aim for our works to transcend the page, becoming the source material for global films, dramas, and anime. Won't you join us in bringing the 'sense of wonder' inside your mind to life?
- //About
- Where the texture of real life meets sharp perspectives and compelling human drama. From business and gourmet to mystery and slice-of-life, Morning champions grounded, thought-provoking narratives with universal appeal. It is a home for creators who want to explore society, work, and the human condition with nuance and profound depth.
- //Notable Series
- Drops of God by Tadashi Agi (story) & Shu Okimoto (art)
Chi's Sweet Home by Kanata Konami
Witch Hat Atelier by Kamome Shirahama
Afternoon Magazine Team
- From the Editor-in-Chief:
- I believe the protagonist of an Afternoon story doesn't need to be the most gifted or the most glamorous. They don't have to score the most goals, earn the highest salary, or be the star of the show at first glance. I look for only one thing: a character who sweats more than anyone else. Someone who keeps running, striving, and pushing forward across the pitch of life, no matter the odds. A relentless spirit of perseverance. That is the hero I want to see in Afternoon.
- //About
- Where profound storytelling and experimental vision push the boundaries of manga. Afternoon champions seinen works that explore diverse themes and unexpected perspectives. We embrace stories that don't just chase trends, but ask difficult questions and challenge conventions to engage readers deeply. It is a home for creators who craft narratives with nuance, artistic boldness, and a soul.
- //Notable Series
- Parasyte by Hitoshi Iwaaki
Vinland Saga by Makoto Yukimura
Skip and Loafer by Misaki Takamatsu
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